Batman VS Two Face

Holy alter ego!

Batman VS Two Face comes as an unexpected heartwarming homage film that digs deep not only into the hearts of the original TV show but, also into the hearts of many Batman fans. Adam West will always remain as one of the most important actors to bring to life the caped crusader. I vividly remember turning on the Tele to watch the many reruns of a series that started 15 years before I was even born (I'll save you the math, I was born in 1981). I for one, will always agree/defend that Adam West will always be the best Batman. Despite the campy humor the show had, West's deadpan delivery was so perfect that he could convey his love for justice with a ridiculous "Let that be a lesson. In future, be more careful from who you accept free lemonade." as much as Christian Bale could with an entire "It's not who I am underneath, but what I do that defines me" monologue. 

Last year marked the 50th anniversary of the Batman TV show, and to celebrate a legacy larger than life, DC Comics & Warner Bros. decided to bring the series back to life in the form of Batman: Return of the Caped Crusaders an animated movie that became an instant hit, thus pushing producers to make a sequel. 

William Shatner as himself!

What do you mean with "beam us up"?

The prequel breathed new life into the concept by bringing in the voice talents of most of the original cast with Adam West, Burt Ward, and Julie Newmar, reprising their roles. The film not only was a pitch-perfect extension of the '66 series, but brilliantly satirized just how much darker the portrayal of the "Dark Knight" has become ever since. Earlier this year, we lost our contrasting "Bright Knight" when Adam West passed away, but not before lending his voice to a sequel that will mark his last time donning the bat cowl to save the day once more.

"Batman Vs. Two-Face" doesn't satirize like its predecessor, but fully embraces the original series' campiness, with one concession: the inclusion of a villain considered too dark and gritty for the series at the time. According to legend, Clint Eastwood was all set to take on the role of Two-Face before studio execs thought he'd scare off young viewers and put the kibosh on it. In "Batman Vs. Two-Face", Professor Hugo Strange, another villain who never appeared on the TV series, is working on an "evil extractor" to rehabilitate Gotham's greatest criminals. He's aided by another now- popular villain, one not created until the early 90's, in a cameo role. Strange, naturally, is portrayed with an impersonation of the German mad scientist voice Peter Sellers perfected for Stanley Kubrick's "Dr. Strangelove, Or: How I Learned to Stop Worrying and Love the Bomb." Unfortunately for Strange, his assistant, and Gotham City District Attorney Harvey Dent, Batman's greatest enemies have the ability to raise their evilness on command and, through their combined malevolent cackling, cause the devise to overload, splashing the D.A.'s face with the liquid manifestation of evil and transforming him physically and mentally into Two-Face.

Professor Hugo Strange.

Gallery of rogues.

The opening credits montage shows Batman and Robin waging war on Two-Face as if he were just another villain on the bi-weekly roster of the series. When we return to the film proper, Bruce Wayne has found a way to restore Dent's face as well as his law career. But when King Tut and Book Worm, two villains who existed solely in the universe of the TV series, pull off heists with all of the trademarks of Two-Face's plots, Batman and Robin have to try to figure out how Two-Face can co-exist with the seemingly cured Harvey. It's a mystery with a simple solution, but the movie's not about detective work: it's about revisiting a Gotham where the swinging 60's never ended, and where the police force exists only to toggle the Bat Signal on and off, because they wouldn't know how to bring a jaywalker to justice without the intervention of the Dynamic Duo.

Sorry, Clint, but William Shatner should have always been the first choice for Two-Face. Not only was he a familiar face on TV screens of that era, but no one else shared Adam West's love for the dramatic pause the way he does. He makes the menacing villain gel well with the campy universe, his distinctive cadence fits the squeaky-clean prosecutor, while he adds just a little bit of a growl to portray the darker aspects of the character. And there will never, ever be another Adam West. Only he could make a visit to the window of Catwoman's prison cell to share a kiss, read some poetry, and remind her how many months are left until her debt to society is paid seem so endearing.

Good VS Evil.

Alex Ross art.

Youthful ward Dick Grayson's maternal aunt gets giddy at how intimate Bruce and Dick seem, winking and nudging at rumors about the relationship that have persisted since the 60's, but she also gets giddy seeing Bruce and Harvey together, at one point all but pressing their faces together and telling them to start making out. Taking from other popular adaptations of the Two-Face character, Bruce and Harvey are portrayed as being old friends, in spite of the fact that the D.A. never even got a namedrop in the original series. It makes for a sort of love triangle between Bruce Wayne, Harvey Dent, and Dick Grayson, and pays off with a sweet little moment of Batman declaring just how rock solid his relationship with the Boy Wonder is.

Writer Harlan Ellison wrote a treatment for an unproduced episode of Batman (1966). The treatment was adapted as a comic book in 2015, "Batman '66--The Lost Episode", by writer Len Wein, pencils by José Luis García-Lopez, inks by Joe Prado, colors by Alex Sinclair and lettered by Wes Abbott. The story title was "The Two-Way Crimes of Two-Face". Although there was early speculation that this film would be based on the above mentioned unproduced treatment, that is not the case. The animated movie tells its own original story.

To the bat-poles!

Caped Crusaders about to go kick some ass.

While there was a significant number of acting crossover between the Star Trek (1966) and Batman (1966) series, William Shatner is the first regular "Star Trek" cast member to perform on the original "Batman" series. The role of Harvey Dent/Two-Face was previously played by Billy Dee Williams in Batman (1989) and The LEGO Batman Movie (2017). Williams also appeared in Star Wars: Episode V - The Empire Strikes Back (1980) and Star Wars: Episode VI - Return of the Jedi (1983). This makes Two-Face the third Batman villain to be played by both a Star Trek and a Star Wars cast member. The role of the Joker has been played by Mark Hamill and Brent Spiner; and Ra's Al Ghul has been played by David Warner (himself a veteran of both franchises) and Liam Neeson. However, Harvey Dent's transformation into Two-Face took place in Batman Forever (1995) where he was played by Tommy Lee Jones.  

Batman VS Two Face world premiere was held on October 8, 2017, at the New York Comic Con. The screening was part of a panel that included William Shatner; Burt Ward; supervising producer/co-screenwriter James Tucker; producer/co-screenwriter Michael Jelenic; and director Rick Morales. The film is already available on digital, DVD & Blu Ray format everywhere.

An early draft of the film screenplay included the character Poison Ivy, who never appeared in the original Batman (1966) series. In addition, Early in the production there were plans to include an end-credits sequence that would have included a cameo by Wonder Woman, based on the television series Wonder Woman (1975) that starred Lynda Carter. The segment was dropped and was never animated.

Batman & Robin protecting the bookworm?

Catwoman teaming up with Two Face?

Anyway, anyone old enough to remember the original 60's Batman TV series will love this. It's great that this movie mirrors the 60's show i.e. it has the old batmobile & the original voices from Batman, Robin & Catwoman. Another former Catwoman Lee Meriwether also has a small part. William Shatner does an excellent job as Dent/Two face and the whole movie embraces the tongue in cheek wackiness of the original series. This must've been one of the last projects Adam West was involved in prior to his death. All I can say is that he went out on a high. 

A number of Batman animated films have been released in recent years, featuring different iterations of the character as presented in comics and movies - from the Dark Detective approach to much lighter interpretations. This is the second film to use the characters and tones of the 1960s television series and was fortunate to get Adam West and Burt Ward to recreate their roles.

The writers and animators have carefully considered the construction of their animated world with many nods to the TV series, including the presentation of some of the villains from that show (King Tut and the Bookworm among them)as well as the arch, perhaps slightly camp approach of the original. This is built upon somewhat for a modern audience with a number of double entendres and self-aware moments. Dialogue is also reflective of its inspiration with Robin's frequent declarations beginning with the word Holy and Batman's reference to his younger colleague as Old Chum.

The wonderful opening sequence.

The hammer of justice!

West sounds much older and a little frail but is able to be commanding when required and gets the tone of his delivery consistent with his original interpretation. Ward's voice has not aged a day. The perhaps surprising casting of William Shatner as Two Face / Harvey Dent works wonders as, despite being many years older than the character he is playing, he manages to sound appropriate for the role and conveys both the camaraderie of his character with Bruce Wayne and a capacity for evil.

The plot is really little more than a string of set pieces to present these fondly remembered characters but functions well despite this. Animation is of a high standard with diverse backgrounds and detailed character stylings.

Ending with a tribute to the "Brightest Knight" Adam West this is an effective exercise in nostalgia for those who remember the first television incarnation of Batman with warmth and fondness. 

Here's the movie trailer: 

A sneak peek:

Adam West, thank you for bringing Batman to life. May you rest in peace bright knight...

Alice in Wonderland: An X-Rated Musical Fantasy

The first ever porn parody?

A few days ago a member from an old all things cult forum asked me if I had ever reviewed "Alice in Wonderland", and I was like, "sure mate, I'll give you the link later". To my surprise, there was no review, and then I realized why I hadn't made a review of such a rarity of a film: I didn't have the uncut version of the film and was still looking for it. The uncut version is, as you've probably guessed by now, the one that comes with the real sex scenes, which the original cut had plenty of, since the movie was intended to be the first hardcore porn film with a big budget and a story. Kristine DeBell, the star of the film, spent years denying the existence of a hardcore version of the film, in which she'd performed. By the time this film was released (1976), DeBell was beginning her career as a model and had recently become a Playboy bunny. 

According to David J. Hogan's book "The Wizard of OZ FAQ," Bill Osco, the producer of "Alice in Wonderland" had originally intended to star Kristine DeBell in an X-rated parody of The Wizard of OZ to be entitled "Dirty Dorothy." He eventually decided to do a take-off on Lewis Carroll's "Alice" books instead, probably because their rights were in the public domain and there would be less risk of a copyright infringement lawsuit than with the OZ books. 

So now, let's get down to business and review this classic musical everyone should watch before they die: Alice in Wonderland: An X-Rated Musical Fantasy.

Sweet little Alice, the virgin librarian.

Wonderland and some of its weirdos.

Alice (Kristine DeBell) enters in a world of wonder... but not the kind of wonder that you remember as a kid. The Mad Hatter, the White Rabbit, the Queen and others (even Tweedledee and Tweedledum) show Alice some things about her body -- and other people's bodies -- that might be quite wonderful. A tale of love and lust the likes you have never seen.

The story of how Kristine DeBell got involved with this is interesting. According to her, she was a model at the Ford Agency and saw that there were auditions for this film. She did not know what kind of movie it was, so she tried out and landed the part. Now, exactly what point she figured out what sort of movie it is is unclear, but we do know that she ended up going through with it. After all, making the movie only took ten days and a couple of fucks here and there.

Getting dry after a wet rescue.

Wonderland inhabitants show Alice how she can feel wonder too.

The producer was Bill Osco, probably best known at that point (and maybe even today) for "Flesh Gordon"(which we will review eventually). The director, Bud Townsend, had made a few horror films, "Terror House" and "Nightmare in Wax", which are largely forgotten today, even by fans of cult horror.

In "Alice", the songs are cheesy, but fit the theme of the movie. One song, "What's a Girl Like You Doing on a Knight Like This?" was pretty funny, and the others had similar themes going. The trial towards the end was well scripted, and fit very nicely into the world of Alice. The logic and humor were definitely accounted for. There is no denying it is an adult film, but one that has a certain level of intelligence.

Everyone knows how to party in Wonderland.

Even trials are an occasion to party.

What more can you say about a film like this? All I know is, for people who are used to adult films where the "plot" is just a 30-second lead-in to the sex, this one is going to overload you with plot and music. But, personally, I think there is something very special about this film and I do hope, in case you haven't watched it yet, that you do  come across the uncut version of the film that runs for 88 minutes instead of the 72 minute theatrical version. The DVD is currently out of print, but tracking it won't be that difficult. There's a double DVD version that features both the theatrical edition and the uncut version from which our review's been taken. 

In a 2012 brief interview by Metal Rules Radio, DeBell denied having performed any of the real sex scenes in Alice in Wonderland. However, a couple of scenes couldn't have possibly been acted by a body double, unless producers found an exact DeBell's doppelganger. In addition, she agrees she took part in the film because she was too young to care and/or notice what she was getting into.

In order to return to your world, you must learn the secrets of love.

Getting down to business.

DeBell's story following the film is even more interesting. She began dating producer Bill Osco, so through him, she got the lead in another cult (though not adult) film, "The Great American Girl Robbery" (1979). And who co-produced with Osco? None other than Chuck Russell, who went on to direct such films as "The Blob" and "Nightmare on Elm Street 3"! 

I don't see how Kristin DeBell's career could be wrecked by this film, as it was her first film. And Ronald Reagan's tiresome hypocrisies had yet to mar this land when it was released, but in a way he and his stooge Meese did affect Ms DeBell. When Meese was staging his anti-pornography commission (to distract people from his own criminal activities), Meese hired the services of an anti-porn activist named Judith Reisner. Reisner was obsessed with images she perceived as child pornography. She saw the "Alice" cover Ms DeBell did for Playboy and promptly announced she had scientifically proven that Ms DeBell was in fact a photo collage of parts from several grown women and the face of a ten year old. Yeah, right...

Anyway, DeBell escaped the world of adult films and b-movie schlock, appearing in "Meatballs" and being a mildly successful star ever since.

Blowing for some cum.

Back on Earth.

Plotwise, the film follows the stages of sexual discovery since Alice first becomes aware of her own body and what she can do to cum by herself. Then she goes into blowjobs, lesbian sex, and a whole lot more in order to be able to return to her real world and fully understand & fulfill her boyfriend's natural needs.

Alice in Wonderland: an X-Rated Musical Fantasy is what porn used to be, this is a true classic. I mean, it is an x-rated musical based on an actual book! There is a real plot to it and how many x-rated movies can boast that these days? This belongs in an exclusive short-list of true pornographic movie classics, including Debby Does Dallas, Deep Throat, and Behind the Green Door. I think the problem with "pornographic movies" these days is that it's all about the "pornographic" and not about the "movie". Alice in Wonderland has graphic depictions of sex, sure, but it is actually telling a story at the same time. Not one of the typical "Oh, Mr. Police Man, don't write me a ticket" plots, this takes it another step further and makes it a musical! Fabulous! If you want to see an example of "good" porn, this is one of the best. 

Oh Alice, I  knew you could swallow!

Kristine DeBell: All American beauty.

What makes this film such a delightful jaunt is its garden like setting. Partly filmed in the lush, natural splendor of Vancouver B.C.'s Stanley Park, the movie belies its pornographic roots. You don't come away feeling you've watched a sleazy skin flick. At this writing, I haven't viewed the triple XXX version. The extra sex footage tacked on afterward would, in all probability, disrupt the overall flow and remove the light, breezy atmosphere evident throughout.

Naturally, the Lewis Carroll version is the best way to curl up and explore Alice's adventures in Wonderland. However, for a time capsule representing 1970s' adult film archives, Alice in Wonderland: an X-Rated Musical Fantasy is worth following that white rabbit for a ribald ride full of mirthful mayhem. 

Here's the 2012 interview where DeBell talks briefly about the film:

Here's the movie trailer:

Tomb Raider

Enter Lara Croft!

Why would someone (of sound mind) want to talk about videogame live action movies? And why would someone want to talk about a movie that was made 16 years ago and didn't live up to the expectations? The answer is pretty simple, I frigging loved the Tomb Raider games! And now that they're back on Steam and there's a remake movie coming next year, let's talk about the girl that had nerds drooling (and still has them) for years!

The Tomb Raider saga started in 1996. The first six games were developed by a British company known as Core Design (owned by Eidos Interactive). Each game followed the adventures of a sexy rich girl who had a thing for exploration and tomb raiding. Her name was Lara Croft, the rest, is history.   

By the year 2000, the film industry already knew what it was like to make a unsuccessful video game film. Examples dated back to the early 90's with Super Mario Bros.(1993, and I was there), Double Dragon (1994, I was there too) and Street Fighter (1994, unfortunately I was there too).  All of these films were based upon video games that were massive then, and are fucking big franchises today but sadly, the film conversions sucked. However, every rule has its exception, and luckily the Mortal Kombat movie (1995) brought hope not only to film makers but also to the fans, that for the first time saw a respectful adaptation based upon a story that was already there in the games. 

The original Lara Croft (1996-2003)

The New Lara Croft (2013-Now)

By the time Tomb Raider had its own live action film, the fifth game, Tomb Raider Chronicles (2000) would be the last game released until 2003 because the popularity of the game was decreasing significantly, being Tomb Raider VI: Angel of Darkness, the final game made by Core/Eidos. The game did so bad, that a planned trilogy was cancelled. 

Movie wise, Tomb Raider is a harmless diversion that I'm sure it pleased its core audience back then in 2001. I saw it in the theater and I loved the performance of Angelina Jolie, who brought the computer game heroine to life. There are  2001 interviews out there,  where Jolie said that she really "became Lara Croft".

With her mock British accent, Jolie is a lot of fun as the adventurer-archaeologist who is equal parts Bruce Wayne and Indiana Jones, but with a much better body.

Welcome to my world.

Wanna play hide and seek?

Taking its cue from the video game, the film's screenplay is more of a puzzle than a plot. The script is a patchwork of ideas that plays like a Greatest Hits collection of other films. It deals with end of the world stuff, but it never feels apocalyptic. It's controlled chaos, utterly lacking in surprise. The script jumps from one expected moment to the next, never apologizing for its lack of originality.

At least Jolie understands the limitations of the script. There's enough conviction in her performance to make you want to believe in Lara Croft, the spunky heiress is who is equally at home in her spacious mansion or within the catacombs of a lost tomb. She's guided by the spirit (both literally and figuratively) of her late adventurer father, Lord Croft (Jon Voight), and assisted by an archaeologist Alex West (Daniel Craig, before he had license to kill) and cyber-geek creator Bryce (Noah Taylor). The antagonist is an experienced vicious archeologist known as Manfred Powell (Ian Glen) and believe you me, his villain passes the test of time with a swift Pass B.

There's always a bad guy.

And this one is baaaad.

The film opens like "Raiders of the Lost Ark," with Lara Croft deep inside one of those musty, dusty tombs. Instead of outrunning a giant boulder, Croft squares off against a mechanical monster, a robotic menace that seems to come out of nowhere. It doesn't. We learn that it's a creation of Bryce, used to keep Croft on her toes.

Angelina Jolie made the perfect Lara Croft; her facial expressions and sly smirks added a personality to the flick that I can only imagine the video game is missing. She seemed smart, brave, and composed as well as full of emotion. Okay, maybe the parts with her father (real-life papa Jon Voight) were a little over the top, but since the whole movie is just eye-candy anyway they seemed to fit.

Admit it, Lara Croft's tits are the tits!

Pay to play.

The fight scenes among ruins got me. How can you not love Lara Croft jumping onto a swinging obelisk to smash a glass eye that holds the key to time, or sledding thru an ice cave being pulled by dogs? Or the scene where the villains jump through her castle windows as she rappels around the walls, smashing chandeliers and pistol-whipping bad guys? What's a girl to do but hop on her motorbike, take a guy out sideways, and race off at 100 miles an hour? Excellent.

Angelina Jolie did her own Bungee-Ballet, and according to an interview with her on The Tonight Show with Jay Leno , injured her ankle on the first take when landing on top of a chandelier went bad, so that part of the scene had to be done over again after she recovered. In addition, the film does pay homage to the original games by adding a few Easter eggs here and there. For instance, When Lara starts smashing the clock with a hammer, Hillary (the butler) uses a silver tray to protect his face. This is a reference to the games, in which, while exploring Croft Manor, the player can shoot at the butler, who then also uses the tray he's carrying around to protect himself. Another Easter egg takes place towards the end of the film when Lara finds a bunch of wolves, she says "A-ha". This was a link to the original games where Lara would use this phrase whenever she picked up an item. Furthermore, in the video game, Lara Croft is a 36DD. Angelina Jolie is naturally a 36C, and was padded to a 36D for the movie, as it was felt that padding to the original character size would be too unrealistic.(_°_)(_°_) Moreover, Lara (Angelina Jolie) was going to be naked in the shower scene, similar to the epilogue of Tomb Raider II (1997), but the idea was dropped, in order to avoid an R-rating. So the film could secure a PG-13 rating instead, only her sideboobs are seen. 

Are you looking for this?

Girls & Guns, the perfect combination?

Another Easter egg is Lara's gadgets in the film, which are specific nods at certain gameplay features of the Tomb Raider games. Among them, the reloader belt or back pack (allowing her to reload her guns very quickly, and without fidgeting about with clips or bullets) and the back pack itself (which almost mysteriously "swallows" any item moved close to its bottom or side by Lara, like the first half of the Triangle).

And last but not least, here's a list of all the Hollywood stars that auditioned for the role of Lara Croft: Elizabeth Hurley, Sandra Bullock, Ashley Judd, Christina Applegate, Drew Barrymore, Cameron Diaz, Nicole Eggert, Jennifer Love Hewitt, Kate Hudson, Jennifer Lopez, Gwyneth Paltrow, and Anna Nicole Smith.

Overall, and specially after 16 years of its release, Tomb Raider is still an action packed entertaining film with a light heart and an even lighter plot that do not dissapoint. 

Here's the movie trailer:

And as bonus, the new trailer for the remake film coming next year: