Showing posts with label Yuzo Yamamoto. Show all posts
Showing posts with label Yuzo Yamamoto. Show all posts

Nov 17, 2025

亜空大作戦 スラングル / Mission Outer Space / Gorilla Force

Yes, another space team and their toys.

They say the mecha genre is dying. They say a lot of things, don't they? Today's magnificent entry will take us back to our beloved Giant Robot/Mecha genre ,so popular in the late 70s, and so massive in the 80s. Economy in Japan was blooming, and animation studios were working day and night to deliver a tremendous catalog from the most varied genres to all ages audiences from all over the world.

The giant robot genre premise of having a team of teenagers piloting the most awesome transforming/non-transforming robot, sold as much as Coca-Cola does even today. Then, with Mobile Suit Gundam, a more realistic take on the genre was born, and people would call it the "mecha genre".  This time the robots would need maintenance, and even repairs that would have them non-operational for most of an episode. The Late Yuzo Yamamoto, who created the J9 trilogy (Braiger, Baxinger, and Sasuraiger), and worked in the above mentioned Gundam, was also a creative force in today's post: 亜空大作戦 スラングル  / Mission Outer Space / Gorilla Force.

Gorrilla Force, or "Comando Especial Gorila" as I've originally experienced it in my home country decades ago, is yet another story of a team of brave men and women with a set of special skills, and fantastic vehicles to fight corruption in space.

Sexy is much more than her name implies.


Secret information is still kept in cassette tapes.

Obscure

Now, it's amazing how obscure this 1983 Animé is even today with all the global access the internet has given us. First of all, the synopsis you google are all describing the Macron 1 Animé that combined Go Shogun with Srungle into a single show in 1986. Common practice back then due to TV syndication. 

the correct synopsis for Mission Outer Space Srungle is as follows: In the 26th century humanity has colonized the stars and settled in the Garrick Space in a special area known as the Outer Space Zone. This special area is in between two stars that conveniently have oxygen and gravity. Humanity has built a large city known as Garrick Space Town and inhabits many asteroids in the area as well and is protected by the United Garrick Space (UGS) and the Garrick  Police. However the large evil organization known as Crime disturbs the peace; however Doc Mandy of the Garrick Police has gathered six pros and created Gorilla Force to oppose Crime. 

Gorilla Force crew is led by Captain Chance, who was previously a member of the Galac Police graduating from the Galac Space police academy and leading a special team in the past. Chance works a lot on collecting the data and is cool and composed.  Jet is the marksman of the team and previously graduated from the military academy he forms a friendship with Super Star. Super Star is the expert pilot of the team, Sexy is the explosive expert and ends up naked a lot in the show and she’s not shy about it at all, Babyface despite his large intimidating appearance is a very gentle person and a mechanics expert, Magician is the espionage expert on the team and the oldest member he can pull of magic which is the only way to describe his ability to turn into anyone despite body shape and fit right in. The team chemistry reminds me of The A-Team, which also premiered in 1983 in the US, but of course, that's nothing but a mere coincidence.

Sexy would always rip her clothes after battle.


More than meets the eye 

The tone of Srungle is that of an adult audience. Espionage, corruption, blackmail, graphic violence, space narcs, politics, nudity, death, death of important characters, you name it. All themes that now may seem like nothing, but back then even the Animé industry refrained from going all in in order to reach wider audiences.  Another element that set a realistic perspective in this futuristic world is that all their vehicles, including the Srungle transforming robot, need repairs. While this concept was introduced earlier in the above mentioned Mobile Suit Gundam, it added the extra tension that would make you jump out of your seat and root for the team once they were ready to go into battle.

On the other hand, each member of the team not only have their own particular set of skills, but also different personalities that would sometimes make tasks easier,  more difficult, and sometimes reveal their past and struggles. While the show seems to have an episodic narrative, don't be fooled! Each story, and every character counts! Our team progresses one step at a time in the battle against Crime. Which brings me to that frequent critic of "why would you name your super secret organization crime?" In Japanese, the word hanzai (犯罪) has no phonetic resemblance to the English word.  

Another important element that plays a major role during the 53 episode run of this animation, is the fact that our characters visit different worlds with episodic pace. This serves a purpose with us, the viewers: We're experiencing a larger world where corruption has expanded to the farthest places in the universe. Very much like the original Star Wars trilogy implied. 

 

Our dedicated team of experts.

 

Team work is greatly appreciated by the Gorilla force.

Tough competition

By 1983 the mecha genre was well established in Japan. On the other hand, the Western world was still a few years from experiencing it in full power. Some people attribute the "Western robot fever" to The Transformers (1985), which one way or another were deeply linked to what was going on in Japan. A year earlier Voltron was already on TV offering a formula that a year later would be reprised by Harmony Gold and their beloved Robotech. Nevertheless, Srungle was released partially in 1986 in the US as part of the above mentioned Macron 1 series, and it would later be seen in full form in Latin America in 1991. While the series seem obscure to some, it was quite popular in South America, being re-run in 1995, 2004 and 2017 respectively.

Sadly, the animé experience would take longer for Western audiences to catch up, and since the toy industry was tightly related to the latest cartoon craze, not every great animé from the 80s premiered simultaneously outside Japan. After all, the 80s had amazing American cartoons as well. Thundercats, Masters of the Universe, She-Ra, Jem & The Holograms, Silverhawks, to name a few, and they all sold thousands of toys, and some still do today. Srungle did have a toy line as well, with transforming vehicles and model kits, but Clover,  the company producing the toys, went bankrupt halfway during the production of the series. What's ironic about this is that Clover produced the first toys for Mobile Suit Gundam. TV moguls may have been too busy worrying about which cartoon was Toyetic, and which one wasn't, as to pay attention to every Japanese animation being imported back then. Besides, multicultural openness would take some years to reach out to everyone.

The disgusting leader of Crime.

Srungle in full attack mode.



 Worth the watch

Living in the 21st century is great. No longer do you need to wait for your local TV station to air your favorite shows. Moreover, there's no need to go to your friend that knows a friend that made him a copy of the latest unsubbed OVA. The internet changed everything! Even access to information of obscure Anime can be found, if you know where to look. In addition, most of these shows have been remastered and released on DVD and Blu-Ray with subtitles, and audio tracks in your language of choice. Again, thanks to the internet you don't need to fly to Japan to get a physical copy. Western companies have also made the effort to release local versions of a vast catalog of Animé from decades past.

Some people tend to say that once you've seen a mecha animé, you've seen them all. Although there are shared elements in the genre, there are some notable differences in some of them. Srungle arrived a bit too late in the "Japanimation" fever. A lot of people dissed the show and called it derivative, formulaic, and so on and so forth. This show was made in 1983! even before other shows that people label influential, groundbreaking and practically "the show that brought Anime outside of Japan". Unfortunately, like a vast list of Animé from the 80s, there were no official releases outside of Japan until decades later. Moreover, there were neither English dubs nor subbed releases of the series. Even today, the official Japanese Blu-Ray does not feature an English track or subtitles. Of course, you can find bootleg releases that have fansubs. The show is also on youtube in TV quality but, only in Spanish and Italian. Today, could be a good day to practice your foreign language skills.

 

Enter Dolly the PG-13 version of Sexy.

 
Gorrilla Force 2.0

Please, hear me out 

Srungle is the story of a politically charged special force that serves a government that took centuries to build up a peaceful civilization in space. Commitment is a strong word for the team. The first story arc ends by episode 26, and boy what a ride it is! The team not only loses their boss Doc Mandy, but also Sexy is crippled and Superstar sacrifices himself to let the rest of the gang escape enemy fire while abandoning their headquarters. Moreover, there is a path the show never really explores by the second half: What if the bad guys were only trying to recover what was once theirs? Humanity's arrival to subspace may have meant that they encountered Volklazer's people and had to make the "necessary adjustments" to settle in. I guess, we'll never know.

The death of important characters was always a plot twist that may have seem unexpected or shocking for Westerners, but for the Japanese it was  just another Sunday ice cream truck passing by. New characters, Sugar & Dolly are not exactly a carbon copy of their former, and a character return from the death will also shake the team dynamics. 

 

With Sexy out of action, her "battle damaged" scenes ended.

Super makes the ultimate sacrifice.

Not the same magic 

Nostalgia is a bit of a tricky word. Shows that you swear were magnificent masterpieces the likes of Shakespeare's greatest plays, would have you falling asleep and take the best nap of your life once you've become a fully functioning adult. I say this, because timing is definitely of essence, when our memory decides to add that extra value just because we experienced it in our long gone childhood where responsibilities were non-existent. That flavor from the past is what is missing in Srungle, and many other animé that took years to make it overseas. So, can you watch , a 42 year old show you've barely heard of? Adult criticism can be severe, while your inner child would always take a lighter read from your past. Try watching a Masters of the Universe episode without falling asleep, I dare you. Nevertheless, here is where Mission Outer Space Srungle excels. Episodes matter. There are no random enemies never to be seen again. Crime is such a gigantic organization, that on any episode you'll find nuances that will directly lead into the conclusion of the show. The destruction of the Crime base proved brutal, and the retaliation was even worst. Our heroes not only lost their home, but also key team members. Exhaustion and desperation could be felt in every animation cel from episode 25 and 26. 



So?

The mecha genre is not for everyone, and we know it. Regardless of all the things I can write here, it's a matter of personal choices. Older people like me, would certainly be a tad more driven into Anime with robots and space dogfights, but the Anime audiences have changed and there is no one-size-fits-all choice. I for one, think Mission Outer Space Srungle while offering mostly the same experience that other shows from around the same time do, you get better animation quality for 1983 standards. Also, the nature of the show isn't episodic. Consequences do have an impact on following stories as above mentioned. Moreover, characters are not stereotyped. Every character gets the chance of displaying its skills, thus making it clear why they're needed in the team. Even Sexy has a job to do. Her occasional nudity occurs randomly and is nothing but moderate fanservice. Another thing I think it stands out, is the fact that you don't get the impression Srungle is a one man show. The more episodes you watch, the more difficult it is to say "this is Jet's anime". The team dynamic is to blame. They work as a unit, and that means you root for the whole team, instead of a single hero, like it happens with other similar shows where it is clear a main character is essential for a team to work. 53 episodes may be a bit too much, tough.


Original Japanese Opening:

 

 


International Opening: 
 

 

Dec 4, 2018

機動戦士ガンダム / Mobile Suit Gundam

Serious space adventure with robots.

Japanese screenwriter Yuzo Yamamoto died on the 25th of November as stated by an official tweet from the original animation production project "Midori Kamikaze Jin Ryger" which Yamamoto presided. He was 71. The private funeral was held on the 29th, and was attended only by his relatives. The production company working with Yamamoto stated the production of the project was put on hold.



Mr. Yamamoto made his screenplay debut in 1973. He created He created the J9 trilogy (Braiger, Baxinger, and Sasuraiger), as well as Srungle and Acrobunch. In addition to Fujiko Fujio's original works such as "Okake's Q Taro" and "Perman", he worked on many animated works such as "Denno Frog" "Time Bokan" series, "Mobile Suit Gundam" and "Urusei Yatsura", all influential names that resonate in the Animé industry until this very day.

Original news translated and adapted from Yahoo News Japan

a team of heroes.
a bad guy.
Mobile Suit Gundam origins

Mobile Suit Gundam is a televised anime series, produced and animated by Sunrise. Created and directed by Yoshiyuki Tomino, it premiered in Japan on Nagoya Broadcasting Network and its affiliated ANN stations on April 7, 1979, and lasted until January 26, 1980, spanning 43 episodes. It was the very first Gundam series, which has subsequently been adapted into numerous sequels and spin-offs. Set in the futuristic calendar year "Universal Century" 0079, the plot focuses on the war between the Principality of Zeon and the Earth Federation, with the latter unveiling a new giant robot known as the RX-78-2 Gundam piloted by the teenage civilian mechanic Amuro Ray

In 1981, the series was re-edited for theatrical release and split into three movies. The characters were designed by Yoshikazu Yasuhiko, and Kunio Okawara was responsible for the mechanical designs, including the eponymous giant robot, the RX-78-2 Gundam. The first movie was released on February 22, 1981. Tomino himself also wrote a trilogy of novels that retell the events of the series. Two manga adaptations of the series have also been written by two manga artists. 

Despite initial low ratings that caused the series' cancellation, the popularity of Gundam saw a boost from the introduction of Bandai's Gunpla models in 1980 and from reruns and the theatrical release of the anime, leading to the creation of a prolific and lucrative media and toy franchise. The series is famous for revolutionizing the giant robot genre due to the handling of mobile suits as weapons of war as well as the portrayal of their pilots as ordinary soldiers, as opposed to the previous style of portraying hero pilots and their giant super hero robots. 
Don't make me angry!
Kick in the nuts!
International Release
 
In February 1980, Mobile Suit Gundam was aired in Italy, the first country to broadcast the show outside Japan. Mobile Suit Gundam was also later aired by the anime satellite television network, Animax, across Japan, with the series continuing to be aired on the network currently, and later its respective networks worldwide, including Hong Kong, Southeast Asia, South Asia, and other regions.
Hoping to capitalize on the success of Gundam Wing from the previous year, Bandai Entertainment released a heavily edited and English-dubbed version of Mobile Suit Gundam, premiering on Cartoon Network's Toonami block across the United States on Monday, July 23, 2001. The series did not do as well as Wing but the ratings were high enough for the whole series to be aired and to spawn an enormous toy line.

On May 30, 2006, Bandai Entertainment re-released the English dub of the TV series in a 10 volume DVD set. There was no Japanese audio track included, apparently because Yoshiyuki Tomino felt that the original mono mix was in too poor of a condition to use. However, in 2007 the original series was released on DVD in Japan, which sold over 100,000 copies within a month's time from December 21, 2007 to January 21, 2008.

Hopeful girls.
Angry men.

At the 2010 New York Comic Con/New York Anime Festival, Bandai Entertainment announced that they would re-release Mobile Suit Gundam with both the original Japanese audio and the English dub. Only one episode out of the 43 episode will not be dubbed, at the request of Yoshiyuki Tomino. Bandai released Gundam in two sets in the summer of 2011. The first set was released on September 13, 2011.
 
On July 25, 2015, UK anime distributor Anime Limited announced they would release Mobile Suit Gundam in cooperation with Sunrise for the first time in the UK on DVD and Blu-ray. 

In both American TV showings and on the international DVD and Blu-ray release, episode 15 ("Cucuruz Doan's Island") was cut out. According to Yoshiyuki Tomino, the removal was made at his request, with the episode becoming a "lost episode" of sorts, never being dubbed. The episode remained on the Japanese DVD and Blu-ray releases.

Today's review is based on the Japanese Blu-Ray box set. 
Where it all started.
Need a ride?
The Review that came 39 years later

Mobile Suit Gundam is a title every anime fan has surely heard. Some of us love and praise the franchise spawned by this original series, and for some of us it just didn't quite do the job. Regardless, there is no denying it is a revolutionary title that has advanced anime as a whole. It's truly a classic series that has left its impact, or rather, is still making an impact on anime. Along with Space Battleship Yamato & Super Dimension Fortress Macross, I'd say Gundam completes the ultimate space opera trilogy of perfection.

The central plot of Mobile Suit Gundam is fairly simple, laying out a brutal war between two sides: the Earth Federation and the Principality of Zeon. Amuro Ray, our main character, gets involved in the conflict by boarding the Federation's great weapon, Gundam (I'm not gonna explain details because then it defeats the purpose of watching for yourself.) Long story short, he becomes the Gundam's pilot and a valuable member of the Federation crew that works aboard White Base (a war spaceship somewhat inspired by Yamato) Now what makes this great is the fact that everybody aboard White Base, from the Commander of it to Amuro, is a total novice with little to no experience. Over the course of the series we get to see their development together as well as individuals. The tale is filled with elements of stuff like death, killing, family, friendships, etc., all building up to a spectacular finale. Our story of course focuses primarily on the White Base gang and their adventure, but it does a good job at also centering in on the opposing side at the right times and giving insight to their side of the battle. Also, just to add, the pacing is exceptionally good.

The series is from 1979, so do not expect top-notch animation by today's standards. I'm sure it was five star art in its time, but I simply rated it a 6 by today's standards. Don't let that turn you off though. The sound is obviously old as well, so the sound effects have that old recording sound that really doesn't stand up to today's sound quality, so again the 8 is by today's standards. But again, give it a chance because it's actually pretty cool. As for the opening and ending themes, they're just kinda fun songs that, as you'll see, are for the purpose of Mobile Suit Gundam alone. The background music actually consists of some pretty interesting and catchy tunes that couldn't fit the show better. They're different than a lot of the stuff you hear in today's anime.
The Gundam slap!
Children crying in space.
Now for Characters. As I've said, they're all amateurs. A lot of the characters aboard White Base go through tragedies that bring out great development. Some of them have hidden secrets and relations, some of them fall in battle, some of them leave White Base, and many other things. There's plenty for you to discover about our crew as you go through the series.

Enjoyment is definitely at its best. The father of mecha, Mobile Suit Gundam, sure doesn't lack in its action. We have a nice variety of different Mobile Suits on both warring sides to switch things up, and the Gundam itself is very entertaining to watch because it has a large array of weaponry. Also, a battle takes place in just about every place you could think of: space, land, sky, underwater, underground, and even inside White Base itself. The enjoyment factor does not disappoint, and always entertains your eyes with superb military brawls between mechas, and even hand-to-hand combat.




The Jumbo sized Gundam toy.
a life size Gundam just because.

The series that never was

The early preproduction notes and the planned 52 episode version include a lot of weird stuff that never made it into the final product, including:

  • The Gundam was originally going to be a somewhat less flashy-looking red and black robot with a blank, GM-like face called the Gunboy, but this was changed at Bandai's request into the more Toyetic samurai-like design we all know and love. The Guntank, by contrast, was much sillier looking, with its cannons sticking out of its chest and big, pipe-like arms with humanoid hands. Oddly enough, the Guncannon's early designs look about the same, except that it was supposed to be painted white.
  • Miharu was originally going to be a very different character, the only element surviving into the finished series being that she was still a redhead. In the original plot outline, Miharu Zabi was the youngest child of Degwin Zabi, a naive but sweet girl totally at odds with her warlike siblings. This version of the character was later retooled into Dozle's daughter, Princess Mineva in Mobile Suit Zeta Gundam.
  • Char was supposed to pilot a Dom (which he does in the novelization instead of the Gelgoog, which was cut out) and even the Gundam itself in addition to the other suits he uses.
 
Lightsabers & giant mecha!
Boy why the Gundam doesn't have an A/C system!

  • The battle of A Baoa Qu went quite a bit differently, featuring numerous new mobile suits that were eventually rolled into the MSV model kit line MSX (which at one point was going to become the basis for a proposed sequel before Zeta got made). The stand-out moment has to be when the Gundam is destroyed not in a final duel with Char, but by the MS-12 Gigan, Zeon's goofy response to the Guntank — and it wasn't even in the hands of a named character, to boot. One major part of this would have included Degwin Zabi (who doesn't get killed by the Solar Ray in this version) breaking down in front of Sayla and begging her forgiveness for killing her father. The final version leaves the question of whether Zeon Deikun was assassinated or died of a heart attack more open-ended. This version would have provided additional characterization for Sayla, as Degwin would have asked her to kill him, so as to end the fighting but she refuses, saying she's not vengeful, like her brother, Char.
  • Another massive Aborted Arc from the original 52 episode outline of the series, was the Newtypes. Originally, they would have dominated the last 1/3rd of the series and given a more complete introduction as far as being mentioned early on in the series as opposed to just being mentioned in the last seven episodes of the series. In particular, there would be multiple Zeon Newtypes and one of which would end up being responsible for Layah's death; as she would be executed once her friendship with Amuro was discovered and setting Char up for his roaring rampage of revenge during the battle of A Baoa Qu. Perhaps most infamously, in the original draft of the series (pre-dating the original 52 episode outline), Amuro was going to be a Decoy Protagonist who dies about half-way through the story. The White Base would then go into an Enemy Mine alliance with Char. This original concept was used as the basis for the Novel Adaptations. Interestingly, said concept was only used because Tomino didn't know how popular the series would become, thinking that the series cancellation was the end of it. He's stated that had he known how popular Gundam would've become, he would've had Amuro live. On the other hand, we were saved from Char's arc being a "Shaggy Dog" Story. Originally he was supposed to betray Kycilia and end up working directly for Ghiren. While this fits his M.O. up until this point, he actually starts earnestly fighting on Ghiren's behalf, since by this point it's very obvious that the Zeon are going to lose. The series ends with Char chiding himself for not finishing off the Zabi's when he had the chance.
Classic Animé is art.
See?

Obviously there's some contrasting opinions on this series and its status concerning its rating. However, I truly feel it is worth a shot from any anime fan, just because it is a classic title that has had such influence on anime and the mecha genre especially.  


Here's the original opening in astonishing HD:



Here's the ending, also in mesmerizing HD:



Amuro & Char's first encounter in English language for the untrained:



Amuro's first time piloting the Gundam while quickly reading the instructions manual to get into action ASAP:



The official (old) Mobile Suit Gundam trailer:



Bandai's international DVD/Blu ray box trailer:



Tobe! Gundam (opening theme) live!



Mobile Suit Gundam: Last Shooting, the very first Gundam videogame from 1984:

The plastic models TV ads: