The All American Girl

All girl, all American!

Peggy Church's short lived filmography is a clear example of the sexploitation genre. Unlike most films in the genre, whenever Peggy Church was involved in a role you just knew you were about to witness some of the hottest films of the 70's. Although she acted in 10 films (some of them with her real name, some other with nicknames and even some uncredited work) Her career as a sex starlet is not to be forgotten. Her daring exploits allowed those who worked with her to produce borderline softcore films, or as I call them "horniest softcore ever" She never wasted a second whenever the subject of getting naked in front of a camera was brought up. In addition, she performed very realistic softcore scenes with the talent of a professional (masturbation, oral, penetration, you name it) A good example of her "talent" is The Pigkeeper's Daughter. In such 1975 flick she steals the show as horny cowgirl Moonbeam.

Today marks the final 2016 review in your humble SPAM Alternative cult films blog, and what could be better than a mouth melting Peggy Church film?  

The All American Girl,  is a 1972 film directed by Mark Haggard and obviously starred by Church. Funny, her surname is Church, was sex her religion, thus her body her church? 

The opening scene features a groovy song.

Playing with herself.

Debbie Collins (Church) is a cute teenager who doesn't want to go all the way until marriage.But she is horny and open for sexual escapades too.She has lesbian sex with older woman,seduces fourteen year old shy boy plus older male.Of course the cast is much older than the characters they're playing.The erotic scenes are quite titillating and Peggy Church is truly memorable as sweet sixteen Lolita.The script by Mark Haggard is clever and the photography is decent.

The film itself is a surprisingly erotic film that spotlights the stunning talents of Peggy Church, whose incredible body is the main reason for watching this movie. Her acting is barely standard, as is almost everyone else's in the film. Now, the plot is very simple and it works fair enough. Debbie has to do something while his boyfriend is away in Guatemala for four months. Her intentions are to keep herself a virgin until they get married but just before he leaves she gives him a handjob just so he doesn't forget her. 

Let's masturbate together my love.

Yummy semen, good til the last drop!

Later on, Debbie decides to go against her purity code and opens to a world of new sexual experiences. Her first target being the father of his 14 year old (yeah right!) neighbor. Nevertheless, Debbie is not a slut so she's not going to fuck anybody while her boyfriend is away. Debbie defines fucking by "not being penetrated" because she does it all, and more! After receiving oral from her neighbor's father, she decides to try her neighbor's mother in an erotic massage session that leads to more oral. Later, she thinks his young neighbor's masturbation habit has to stop, so in a very educational manner, she offers herself to assist him while hilariously explaining things like "these are breasts", "this is a nipple, milk comes out of nipples", "this is my Vagina, this is where your put your penis so that you don't hurt anymore"

As above mentioned, the acting is not that bad for an early 70's skin-flick. No worse than some later Hardcore stuff you might see. I thought Peggy Church (Debbie) carried it off pretty well considering she is so young and obviously not an experienced performer and she has to be in practically every scene. From a standpoint of 30 years on, the plot , such as there is one, seems risible. But it does lead to some very erotic scenes. Seeing it recently I felt that the fact that it wasn't totally explicit made it even more erotic than I remembered it to be. The editing, lighting and in particular the photography are highly professional. The sound on the version I saw was not too good. As a showcase for the absolutely delicious Peggy Church you could not wish for better. 

I love the taste of cum.

But I also love the taste of sour pussy.

Now, the film isn't anywhere near gross. Although most people would say "these are shitty movies for wankers" If you do like Lion-O and ask for "sight beyond sight" you would see this film features interesting photography and that is one of the standing overall points of The All American Girl. Shots of oral sex, orgasm and facial/swallow scenes are all cleverly filmed and not shown like a porn movie would do. Even when Peggy is masturbating her male friends she's never shown actually doing it. There is a lot of titillation behind each scene and that works wonderful for this a sexploitation film, not a porn movie.

The supporting cast is just that, supporting cast. This film is all about Peggy Church and her travel from innocence to sexual awakening. This film is also known as Danish Flowers. 

Yeah suck that pussy old fart!

This is the woman's body.

The music also plays an interesting part here. Composed and arranged by Don Dunn. Every love scene is accompanied by classical piano music making room for the idea of the beginning of the end of Debbie's innocence. There is no funky music in the likes of porn films here. 

Peggy Church's career as above mentioned in the first paragraph was filled with sexploitation daring exploits. However, The All American Girl is one of her finest contributions to the world of cult cinema. Her later entries would be as hot as this one but lacking in terms of plot and filming standards. 

Yes master, fuck me as hard as you can.

This is how you finish a clean blowjob.

If you are interested in breaking a wife or girlfriend into erotic films and don't want to scare them off, you might wish to consider The All American Girl. It has a few laughs, some of which are intentional, but basically it is a showcase for the visual eye candy named Peggy Church, who seems to only have appeared in a couple of other films such as this before vanishing from the movies forever. Our loss. 

Next reviews on the way: The Big Snatch (1971) & Prison Girls (1972) another couple of interesting films where Peggy Church delivers. Before I go, let me wish you happy holidays from yours truly and keep it between the dishes in 2016 too. 

PS: an outstanding Swedish sexploitation starlet will return very soon with some missing reviews...

Here's the movie trailer:

The Hateful Eight

The Boring Eight.

Quentin Tarantino stated a few days ago that he's planning to make 10 movies and then retire. I guess his decision is boldly based upon the difficulty he's having when releasing new movies. Such difficulty is no other than producing extremely long films that are not entertaining from start to finish. You can't make a 3 hour film just to entertain your viewers in the last 30 minutes. Also, you can't exploit uninteresting dialogs uttered by uninteresting characters. Everyone knows Tarantino's talent for creating interesting characters with even more interesting dialogs. The Hateful 8 just proves he's lost it forever. If Django Unchained already had a few filler moments, this new western is 100% filler moments. If you were hoping for a film about eight notorious killers holed-up in a cabin where the intensity is slowly ratcheted up until everything comes to a head and inevitably explodes into a gunfight of epic proportions and consequences...this isn't that movie.

First, let's be positive and focus on what this rare non action western gets right:

The cinematography at the beginning of the film was beautiful. The panoramic landscapes were stunning as was a slow motion close up of two horses in full gallop, especially with the Ennio Morricone score playing in the background. It seemed like this film was well on it's way to being a western of epic proportions.

Jennifer Jason Leigh can do no wrong. For most of the film she just reacts to the other characters and the situations, and does it brilliantly. Her sly winks, her laugh, her voice and anything she does makes her character truly memorable. Towards the end of the film her character Daisy Domergue finally opens up and Leigh is very good. It's too bad her character wasn't given a back story, because Leigh could have easily won a trophy or two this awards season if Daisy was a more fleshed- out character.

The boring as fuck team.

The most talkative Western cowboys in the whole world.

Tim Roth is good for what little he is also given. He can take a throwaway line, (which there are plenty of in the film), and deliver it in a funny, memorable way. It's too bad his character doesn't do much other than fill up a space so the title can have the number eight in it.

Kurt Russell did 'good'. Now I put that in quotes because he's done better, and in some scenes his lines fall flat and almost seem forced, but being a Russell fan myself, I think he did pretty good for the most part. It's too bad he's not acting as much as he should be.

Now let's go for the bitter taste this flick delivers by dozens

CHAPTER 1 ... Chapters in these films are no longer needed. Normally, I kind of look forward to these because we usually find out something new or shocking, either way you know something is about to happen. In this movie, however, they actually distract from the story.

Narration by some unknown person is also no longer needed in his films. The narrations seem like an after-thought that were added in during the editing process.

The out-of-sequence chapter is pretty standard fare when it comes to Tarantino's films. In this film, the sequence just makes you say. 'Oh. Okay.' and doesn't work at all.

Not even my music can save this film.

I'm the only character worth watching.

Michael Madsen is 100% a throwaway character. He's given no good lines and could have been left out of the film entirely.

Channing Tatum is a another wasted character and was basically used for a laugh, (depending on your sense of humor).

No other actor's talents were wasted more in The Hateful Eight than Bruce Dern's. Dern is given nothing to work with and I feel bad for him and disappointed in Tarantino for not giving him a more deserving part.

Walton Goggins WASN'T BAD. He is listed under the bad section because his character's motivations were all over the place. His cool confidence is what makes him an interesting actor and he wasn't given any of that here.

Samuel L. Jackson. Make no mistake - this was his movie. He is the main character. Forget the title. Out of the Hateful Eight, only four of them were actually given enough material for them to be fleshed-out characters. The rest of the characters are merely bit players to push the story forward.

Let's get inside so we can have a talk.

Even characters Yawn at this film!

There were a lot of throwaway scenes I don't even want to get into because it might spoil the story for anyone who hasn't seen the film yet.

People are comparing this movie to Reservoir Dogs, which is laughable. Reservoir Dogs did a lot more with a lot less. The Hateful Eight is bloated with a lot of unnecessary scenes and dialogue.

The violence is way over the top and unrealistic. Some of it can be seen as an attempt at dark humor. While some of it works, some does not and is needlessly gratuitous.

The Hateful Eight was unrealistic in general and most serious westerns try to play as true to historically correct as possible. 

Now I will say that Django Unchained was definitely an exception to the rule. You had to suspend disbelief because that was part of the fun of the film. The thought of Django actually being real and doing the things he did and said back in those times was really fun to watch. The hip hop music during the shoot out, for example, put a big smile on your face and had you cheering him on.

However, The Hateful Eight is a serious western with a small bit of comedy relief thrown in, and is pretty far from historically factual in terms of characters and their interactions. 

The movie is actually about me playing myself.

Great actor with a wasted character.

This brings me to the last part of my review...the ugly.

Tarantino has always been given a free pass when it comes to using the n-word, and boy he lets it fly here. Not a little bit, not a lot, not a bit much, but way too much. Subtle is not a word in Tarantino's vocabulary. Everything has to be loud and in your face. He's been known for being hip and cool, neither of these words describe this film.

Nobody in this film, aside from Minnie, Sweet Dave or even O.B., were likable at all. Every character was flawed and none of them seemed to live by any kind of code or morality or immorality for that matter.

At the end when you see who is left standing, you really don't care. That was the biggest disappointment for me. 

I'm going to be a Sheriff.

Overall, a sad experience for the viewer. I love spaghetti westerns, they're filled with action and just the right amount of plot to develop a minimum consistency for each character, but here there's not enough action. Almost two hours and a half go by when something western like actually happens. I also love Quentin Tarantino, I think he is my definite film maker. Nevertheless, I don't review films from a biased point of view. The Hateful Eight is clearly the worst film Tarantino has ever filmed. Let's hope his two remaining ones leave The Hateful Eight as a minor misstep on his already brilliant career.

PS: Bring some pills to keep you awake throughout the film, or maybe get high before hitting theaters.

Here's the movie trailer:

 

Star Wars, Episode VII The Force Awakens

The most important movie saga of all time returns.

1983 was the year that marked the last entry in the Star Wars saga. Later, in 1999 George Lucas would begin the (controversial) prequel trilogy with Episode I: The Phantom Menace. I was there, as I've been in every single Star Wars avant premiere my age and pockets could afford. I was born in 1981, so the way I experienced the original trilogy was through the tele and VHS rentals. In 1997, with the "Special Editions" in theaters I experienced the updated original trilogy in theaters. Star Wars is a significant part of my existence. To me, it stands for innocence, family values, survival, breaking through, fostering either  your strengths or weaknesses, and finding out that the only way of growing up a rather decent human being, has a lot to do with understanding pain. Pain teaches the most valuable lesson in life: life is a balance between the dark side and the light, just like Star Wars has always been...

Last night we had a blast, my wife frigging loved it, my friends, totally loved it, the people in the theater were blown away. What about me? I knew, I just knew it would be one of the most amazing (not to say the most amazing) birthday celebrations I ever had. A true Star Wars fan knows what to do when it comes to resisting temptation, and by temptation I mean spoilers, leaked plots and leaked stuff of all sorts. Before last night, I didn't give a shit about all these idiotic moronic motherfuckin' Star Wars connoisseurs who swore they knew beforehand what the film was going to be about. However, there was this forum (which I won't mention here) which did got right some stuff they spoiled and here comes the real question Do you really want to miss the joy of being surprised from start to finish watching a Star Wars movie? No, no you don't, you will not spoil the movie for me, these are not the spoilers you're looking for.  Browsing for spoilers is like going to a rock concert and instead of enjoying the show, you just spend the whole time taking pictures and recording crappy videos which no one, not even your friends will give a fuck about.

New heroes rise.

So do the enemies.

Star Wars, Episode VII The Force Awakens, directed by J.J. Abrams and produced by Disney. George Lucas didn't have much to do with it, he kinda walked away from his creation for good here you can read his statement:

The issue was, ultimately, they looked at the stories and they said, 'We want to make something for the fans.' People don't actually realize it's actually a soap opera and it's all about family problems - it's not about spaceships. So they decided they didn't want to use those stories, they decided they were going to do their own thing so I decided, 'Fine.... I'll go my way, and I let them go their way.' George Lucas, (CBS This Morning)

After a lot of stupid speculations in the likes of "Luke turned to the dark side, he is Kylo Ren" or "They cloned Darth Vader", "The Emperor didn't die", "Darth Plagueis is alive" and forums created merely for the purpose of pushing Disney to embrace the expanded universe and consider it canon, all I can tell you, because I truly care about maintaining your Star Wars experience a surprise, is that every single internet theory was nothing but crap, bullshit, lies, and delusions of grandeure. Star  Wars returns to our world safe and sound. As a matter of fact it returns safer and sounder than ever. What I saw, what I felt was 12 parsecs superior than what happened to me when I was waiting in line for Episode I.  Hopefully, my fellow readers, I truly expect not to deliver a biased review, I want a correct review, the one this film deserves.

These stormtroopers don't miss.

Run for your life!

Ahem!, let's begin. Episode VII happens thirty something years after the fall of the empire. Legendary characters are there safe and sound. The story although not fully explained (Episode VIII & IX are on their way) is about the remnants of the galactic empire, these space Nazies now go by the name of "The First Order"  their goal as it wasn't clear already is to destroy the republic at all cost and restore the power of the dark side through a new Sith lord that goes by the name of Kylo Ren. The rebel alliance now goes by the name of The Resistance, suggesting they've been struggling with the first order longer than what the film shows. The jedi order has ceased to exist. Luke Skywalker is nowhere to be found. Of course he has reasons, he's a Jedi knight! But what good is the resistance without such a powerful ally? Well, they're well trained, as a matter of fact they have an ace pilot that goes by the name of Poe Dameron. Leia Organa is there, C-3PO is there, R2D2 is there and a lot of classic rebel characters are there too (trying not to spoil it for you) The thing is, without the Jedi to balance the force, there will be chaos, there will be destruction and there will be a  lot of suffering.

George Lucas has always described Star Wars as a soap opera, a family in constant conflict in an unbalanced universe.  In that sense, Episode VII is a true Star Wars movie. The never ending space battles, the amazing ships, serviceable droids and light saber fights are all there. But Star Wars is also a lot of fun with pun intended jokes that only true Star Wars fans will get. Episode VII has a lot of that too. 

The faces of evil.

I will finish what you started.

What if you've never seen a Star Wars movie before? Well, I hate to break it to you but if your plan is a complete experience you're mandatory required to watch the previous episodes. Also, I suggest to go to a psychologist, something's broken there. In this new film, the concept of the force (as shown in the trailers, so this is not a spoiler) seems to be a forgotten tale that has somewhat turned into a myth rather than a fact. When Han Solo utters "it's true, all of it" he's clearly explaining it to the new characters, characters which weren't even born by the time Luke & co took down the empire. Luke Skywalker is also a sort of a fictional character to those who weren't there. Nevertheless, Solo & Leia know he is real and top priority when it comes to dealing with the return of the dark side. 

As stated above Luke Skywalker as gone in hiding. The resistance is running short on both manpower & time. The first order is clearly not as forgiving as the empire once was. They will destroy & murder first, then they will ask the questions.  Is Skywalker running away because he's afraid of the First Order? If you're a Star Wars fan you know what happens when you're taken by fear, just bare in mind, Skywalker was so powerful he didn't need to finish Darth Vader to defeat him.

"Chewie, we're home"

"I'm no one"

The newly introduced planet of Jakku, seems to be the new Tatooine. People hate it as it's a dessert planet were there's nothing but debris and hundreds of miles of sand. However, this is the planet where Rey lives. In order to survive, she's become a scavenger like many in her planet. Seeing her appear in every trailer and TV ad, already suggested she was going to have a big role in the new Star Wars trilogy. But, who is she?, who are her parents?, is she an orphan girl? how does she get her hands in the Millenium Falcon? How does her path crosses with Finn's?

The first order has a mission, they're looking for something that they thing is key to bring down the republic for once and for all. Could the resistance be looking for the same exact thing? is it Anakin Skywalker's lightsaber which we've alredy seen in the trailers? how the hell did someone recovered it? Not even Luke had it when he lost it to Vader during The Empire Strikes Back most revealing moment. Earlier concepts of Star Wars (even before Episode IV was released) reveal that the original idea Lucas had, was the search for a powerful artifact that allowed whoever who owned it to have an unlimited amount of power. Could such legendary light saber hold something we yet don't know? Anakin's lightsaber passed onto Luke and then he lost but, a new character (nope, not telling) recovered it and kept safe for the future of the universe. Is it possible that this lightsaber will be passed on to new characters? Promo pictures and TV ads have already shown Finn wielding it. Could he be a new Jedi? is he the son of Lando Calrissian & Leia Organa (another stupid theory by the way)

BB-8 steals the show, he's highly emotional!

Fuck you all, I came here to kill Sith style!

Now, Episode VII is not only good guys versus bad guys, good guys always win and stuff like that. There's a brutally unexpected plot twist that will leave you half happy (because you watched a new Star Wars movie) and half sad because of what happens. The new action sequences where the force is used are truly incredible. Add to that the excellent sound effects that make you feel someone is using the force. There are moments where son of a bitch Kylo Ren will use it, and the sound engineer truly gets into your ears telling you "this is how the force sounds you little pussy" that is something entirely new, and although it is not that big, it is brand new. The lightsaber fights have spectacular light sounds that weren't even conceived this good in the prequel trilogy. Space battle lovers will also be very satisfied, you will see the X-Wing fighters fly like never before.

Some action sequences are so overwhelming that you're like "my god, there's too much going on, my eyes can't take it" And that's a very good thing I think, because you get the "I'm tired of war" vibes quite clearly.  BB-8 & Poe Dameron's mission will gladly remind you of Episode IV. In the past I never watched a J.J. Abrams film. As a matter of fact I didn't even bother watching his take on Star Trek. Nevertheless, he pulls a fine job here. He knows what old school fans are looking for, and he delivers exactly what we expected to find (with certain refreshing plot twists) He also, knows Star Wars is a larger than life institution, and every new character comes to life in perfect synchronicity with what was established in the previous episodes.

Meet Ace pilot Poe Dameron.

Kylo Ren is really a bad bad Sith.

Does Episode VII have big revelations and/or plot twists? Yes, yes it does! But, do you really wanna know them beforehand? isn't the force an energy you have to discover yourself? Although the film features plenty of tributes to the original trilogy (prequels? nope, not even a subtle hint) Episode VII features new evil and yet the good old battle between the Sith and the Jedi is still there, the story has somewhat evolved into a new story line and it's as open for the new characters as it is for the most iconic heroes. The film reunites the best elements from the original trilogy while offering brand new uncharted territories at the same time.

Of course, it wouldn't be a Star Wars film if it didn't feature a heartbreaking moment. Such moment will clearly be a turning point for the remaining episodes. As for the new characters, Daisy Ridley steals the show with her portrayal of Rey the Scavenger. And so does John Boyega whose Finn is the perfect mix of an escapee looking for a second chance to do what's right. As for Adam Driver and his evil role as Kylo Ren there's a lot of things you want to find out yourself, he's not just another Sith in the likes of Darth Maul or Darth Tyrannus. He goes beyond that, and in doing so, he makes you bite more than you can chew.

New creatures in new galaxies far, far away.

Captain Phasma.

Overall, on a scale of 10/10 I'd say The Force Awakens is a straight 10. Is it better than the prequel trilogy films? Yes, definitely, it even stands very close to Revenge of the Sith. Honestly, what the hell! this film is so good that I can easily state that is as good as any episode from the original trilogy. So ,waste no more time and "to the theater you will go". May the force be with you all my fellow connoisseurs.

Here's the first movie trailer:

   
Here's the second movie trailer:

And here a hilarious SNL toy ad parody you should be watching as of right now:

   

Three The Hard Way

Action gets bigger by the trio.

The blaxploitation has a wide list of blockbusters which I've watched already but haven't got the time of reviewing most of them. Hell! I even own Pam Grier several reviews of hers! Today's entry, Three The Hard Way, a 1974 non stop action flicker directed by Gordon Parks Jr, written by Eric Bercovici & Jerry Ludwig, and starred by Jim Brown (as Jimmy Lait), Fred Williamson (as Jagger Daniels) and martial arts superstar Jim Kelly (as Mister Keyes) Although this film may not be everyone's cup of tea, one thing is guaranteed: you won't want to miss a single minute of the film. Three The Hard Way is pure action from start to finish, bloody shootings, ass kicking a la martial arts style, dangeroues Neo-Nazies and even more dangerous female threesomes (no pun intended)

When diabolical racist/fascist/evil white cracker Monroe Feather (Jay Robinson), with the help of fellow evil whitey, scientist Dr. Fortrero (Richard Angarola) invent a red serum that is harmless to whites and lethal to blacks and plan to dump it in the water supplies of Washington D.C., Detroit and L.A., they didn't count on one thing - the awesome power of Jimmy Lait (Brown), Jagger Daniels (Williamson) and Mister Keyes (Kelly)! Can this team of righteous soul brothers take down Feather's budding, red-beret wearing neo-Nazi organization, or will millions of African-Americans perish? They really, truly do not make them like this anymore. Films like this should be treasured. Just look at the tagline on the poster above. Can you imagine a movie coming out today that proudly, in big red letters, proclaims that they are going to save their race? 

We kick your ass in style.

Did someone say white cracker?

Three the Hard Way, besides being a clever title (three dudes, three cities that must be saved, and three dominatrixes, but more on that later), is a golden age of blaxploitation gem. It is filled to the brim with jive talk, fly threads and funky tunes. It also has plenty of action, and who better to dispense it than the three coolest men in cinema at the time - all in one place! Jim Brown as Lait is a successful record producer. He's so good at what he does, his collars are bigger than pizza slices, he drives a Rolls Royce with "LAIT" as the license plate, and tells the Impressions what to do in the studio. He even produces his own theme song, sung by the Impressions! The action kicks off when Feather's goons kidnap his old lady, Wendy (Frazier), and Lt. Di Nisco (Rocco) is more interested in Lait than in the bad guys. So Lait calls in his buddies Daniels and Keyes to dispense some justice with a blue van filled with automatic weapons. Mister Keyes even predates Mr. T as being a legal name, and they even have the same reasons ("so people will have to call me Mister" - although T might have the edge because his legal middle name is a dot).

Kelly gets to make more of his trademark, pre-Billy Blanks funny faces and noises, and there's even a scene which must have fulfilled the fantasies of the urban, inner-city audiences this played to at the time, where a bunch of cops harass him and try to arrest him and he beats them all up with style and aplomb and rides away. Fred Williamson is as cool and charming as ever as the cigar-chomping Daniels. A standout scene occurs when three women, Countess (Pamela Serpe), Princess (Marie O'Henry) and Empress (Tsu) ride in on red white and blue motorcycles, with outfits to match. It seems they are a team of dominatrixes and this is how our Three the Hard Way boys get the information they need. Perhaps this was such an appealing concept it inspired the movie Ebony, Ivory and Jade (1976).

The coolest female biker team.

Not afraid of using their weapons.

Three the Hard Way is a much better version of the team-up concept than the much later Williamson/Brown outing On the Edge (2002), and provides a lot of the obvious inspiration behind the parodies I'm Gonna Git You Sucka (1988) and Black Dynamite (2008). Additionally, besides the impressive on-screen talent (we didn't even mention an appearance by TNT Jackson herself, Jeannie Bell), there are some big names behind the camera as well - director Gordon Parks Jr, cinematographer Lucien Ballard, and a stunt department that includes Hal Needham, Bob Minor and Buddy Joe Hooker, among others...you can really learn a lot if you read the credits! All of this came together in the end to produce an above-average blaxploitation film.

While it does start to drag a bit right before the climax, travel back in time to when cars were gigantic and boatlike, and when Williamson, Brown and Kelly were the undisputed kings of soulful action. 

Racist pigs.

The Impressions!

The film has its flaws though, and they're mostly edition issues. The following list explains the most notable goofs in Three The Hard Way:

-In the Chicago sequence, Jimmy and Jagger are chasing one of the white supremacists through town and they pass the same man twice.

-When Mister Keyes fights the corrupt police officers, his shoes go from brown boots to brown basketball shoes and back between shots.

-The blue van alternates from shot to shot between two very different models.

-When Jimmy is talking to Wendy from the phone booth he is clearly inside the booth while the gravel truck is charging the booth (0:54:04).Yet,seconds after the gravel truck hits the booth Jimmy isn't inside the booth and he is hanging from the back of the truck instead(0:54:09).

-In the lengthy shootout at the end of the movie, there is snow everywhere on the mountainous terrain, then no snow at all. Also, the action shifts back and forth from day to night and back again. 

 

Martial arts never looked cooler.

Watcha lookin' at?

 

Overall, Three The Hard Way is an action roller coaster from start to finish, and that makes a likable film for all audiences (who doesn't like guns, fights and boobs?) If you're a fan of the blaxploitation genre you've probably watched the movie already, but if you're not a fan of blaxploitation this movie can be an excellent starter.

Here's the movie trailer: