Sleazy Pictures Muggy Archive: Gunbuster

Jun 17, 2015

Gunbuster

The coolest 80's space adventure in OVA format you can get.

Gunbuster, known in Japan as Aim for the Top! (トップをねらえ! Toppu o Nerae^!), is a six episode anime OVA series created by Gainax (Neon Genesis Evangelion, Tenku No Escaflowne) in 1988. It was the directorial debut of Hideaki Anno, best known as the director of Neon Genesis Evangelion. The title is a combination of the titles of classic tennis anime Aim for the Ace! and hit action drama film Top Gun, whose plot inspired Gunbuster‍ 's. To celebrate Gainax's 20th anniversary in 2004, an official sequel to Gunbuster, Diebuster (or Gunbuster 2), was released as an OVA. The sequel features new characters and mecha, but retains the format and many of the concepts of the original series.

Gunbuster follows the genre of Super Robot anime, started by the Mazinger Z series, but also contains some elements of the Real Robot genre by showing mass-produced versions of the titular robot (called "Sizzlers") as well as previous smaller combat mecha called "RX" which are used along with bigger battleships in space warfare, elements seen previously in Gundam and Macross. It is notable for being one of the few anime series to deal with the concept of time dilation in a realistic way, and indeed makes it one of its central plot elements. Though the scientific accuracy of the series is variable (it posits the invention of acceleration compensators, artificial gravity and warp drives by the year 2015) it includes many hard science fiction elements, and provides a consistent technological frame if one assumes that human technological progress has been put into overdrive in order to wage war against the aliens.

Gunbuster is also notable as being a spiritual predecessor to Anno's more famous Neon Genesis Evangelion in that the themes of space opera and mecha action take somewhat of a back seat to various romances, rivalries and other relations between the main characters, made more complex by the differing speeds of their aging due to time dilation (for Noriko, the 40 year or so timespan of the major part of the series takes roughly about a year). It is also similar to the later Evangelion in that it begins as a high-school anime, with the students at Okinawa space high school for girls competing for places among the elite pilots sent to fight the space monsters. This pattern has since become something of an anime cliché. Noriko also shares many personality traits with Evangelion's Shinji Ikari, particularly in her lack of confidence in herself, and Jung Freud, a Soviet pilot who befriends Noriko and Kazumi, is regarded by many fans as a prototype of Asuka Langley Sohryu, right down to her red hair and arrogant attitude.

This is why women were chosen to pilot the sizzlers.

Boob battle!

The series was originally released in Japan over three volumes on VHS videocassette, with two episodes per volume. It was then released on three laserdiscs with a later boxset containing two new science episodes. Eventually, it was released on DVD in 2001. A remastered four disc set was released in 2004 with dramatically improved image, and new extras such as three short animations, a rough cut of episode five and an unmatted version of episode 6.

The series was first released in English in North America starting in March 1990 on video by U.S. Renditions as their first release. It was only released in the original Japanese language audio track and featured some rather loose English subtitles, especially on the first volume. It was later re-released by verbatim in 1996 on VHS by Manga Entertainment after U.S. Renditions ceased operations.

Not everyone can pilot a Gunbuster.

Measurements.

Tell me more...

Way back, before Evangelion was made, before Hideaki Anno was an idol and household name for many anime fans, and before Gainax had reached the status of fanfavorite, Gunbuster was made. With only Wings of Honneamise made by Gainax at that time, and the famous Otakon shorts or course, Gunbuster had some tough acts to follow up. It didn't make it easier on itself by picking out a genre that was already done countless times before, space opera.

Luckily, Gainax decided to put it out as a six-part OAV (direct to video) series. This allows the series to have a bigger scope than would have been possible if it was made into a film. This also prevents it from becoming too boring and overly long, with lots of pointless battles and filler along the way. Besides that, they made some effort to stay clear from the tested space opera mechanics used in Macross or Gundam, and many other popular space operas.

Noriko, our heroine.

Hey! watcha lookin' at?

For one, the shows starts out pretty light, with Noriko in the Okinawa High School for mechapiloting. Noriko is the daughter of a respected ship commander who died in battle, when she was still a little kid. This makes her life at the academy quite hard, as some of her fellow classmates start to suspect that Noriko is favored by the professors. The first episode is pretty much a comedy drama, with a very tight focus on the characters and setting of the school. Things quickly change when the threat of an alien invasion is announced, and Noriko and Kazumi (best girl in class) are chosen to help the assembled fleet out.

The middle bulk of Gunbuster leaves our female lead in space, focusing on both personal drama and action. A couple more characters are introduced, and parts of Noriko's past are dragged up again. Besides that, the alien threat becomes more imminent every minute, and the Gunbuster, mankind's final hope, is presented. Smart as writer Okada was, he incorporated the principles of time dilation, to spice things up a bit. In short, time moves slower for those who travel at the speed of light. This means that Noriko can be part of a war that takes almost a century to complete. Also the dramatic aspect of this is accentuated, when Noriko sees her friends again on her return to base, who have aged considerably more than her. The science might not be perfect, but it's presented in a pretty believable way, with even some SD science theatre shorts in between the episodes, where Noriko, Kazumi and their coach give a short description of the scientific principles used in the series.

Pick your favorite scale.

Boing!

The animation, for a series made in the 80s, is definitely good. The designs are retro 80s style of course, but it has it's charm. Animation is fluent enough and the character designs are nice, although the costumes do betray some of the fanservice fascination Gainax will later exploit to the fullest. The mechas throughout the shows are pretty cool too, with the Gunbuster as the ultimate killing machine, strong and vast. The last episode was entirely done in black and white. While it's generally believed (but not confirmed) that this was done for budget reasons, it lends a whole different atmosphere to the series, which is suited perfectly for the latter part.

The music is very typical space opera fair. Too bombastic in places, very generic, and definitely not worth buying. It does fit the series for the most part, but it can become quite annoying at times. Tanaka is not really a famous composer, and the only other respectable series he's worked on is Dragon Half. If you think 80s anime music, you will know what to expect.

Heroes take baths with friends.

Who farted?

As the series progresses, the focus slowly shifts from drama to space opera to epic battle, but in such a way the viewer will hardly notice this. Step by step the drama will be toned down, and the battles will take the front row. Neither aspect is ever left completely out though. With the last episode in sight, Noriko and crew are fighting for the further existence of human kind, and with the last battle in sight, certain questions are presented to the audience, concerning to position of the human race in the galaxy, and how far it can go to guarantee self-preservation. While they are never answered later on, they still present some interesting food for thought. The last episode is very epic, with a nice, but quite predictable ending, though not all endings should contain numerous outlandish twists of course. Again, it fits the series.

Ginger.

Girl talk.

Gunbuster may sound like your average space opera anime at first, with alien invasions, huge battles, and some personal drama, and for the bigger part, it is. But it is done exceptionally well for a change. Instead of going for a steady mix of former elements, six episodes long, Gunbuster presents us a change from small scale drama to large scale epic heroism. Along the way we meet with some various interesting and well fleshed-out characters, which mutual relationships changing heavily due to the time dilation phenomenon. The show is very tightly written, although it does tend to slip up at some points. Overly dramatic occurrences and too cheesy mecha attacks could have been easily avoided. Overall, the trip Gunbuster takes you on is a very relaxed, sometimes sad, sometimes heroic one. It might not have shattered the boundaries and limits of the space opera genre, but at least it bend them a little. Highly enjoyable anime classic, but not without flaws.

It's OVA theater time!

Episode 1: Shock! Big-Sister and I are Going to be Pilots Together?! (October 7, 1988)