Around the World with Fanny Hill

a lady of pleasure.

Christina Lindberg knew who she was becoming in the early 70's: a sex icon, and sex icons can even sell the crappiest crap. All the films we've been reviewing lately respond to her condition of "sex icon". To paraphrase her, "she was hired to do small cameos in several films just to make sure they would sell enough tickets" 

Anyways, as we've been stating in previous entries, 2016 marks the return of the great Christina Lindberg to the big screen and as soon as Cry For Revenge premieres an in depth review will be here will everything you need to know. However, in the meantime, we'll check the most obscure films were our dear Swedish goddess got a part (no matter how small)

Christina Lindberg as herself.

The nude photography business was blooming in the 70's.

Around the World with Fanny Hill is a 1974 Swedish/German film directed by Mac Ahlberg and starred by blonde bombshell Shirley Corrigan (as Fanny Hill), Peter Bonke (as Roger Boman, her husband) & Gaby Fuchs (Monica) Christina Lindberg's character doesn't even have a name! she's credited only as "meatball model" and her cameo is very brief. Nevertheless, what makes her participation interesting is the fact that she is pretty much portraying herself in the film, you  know, a nude model who promotes all sorts of products. Another interesting fact we have to mention is that during 1974 Lindberg starred her most beloved film of all times: Thriller, a Cruel Picture.  

Around the World with Fanny Hill, is supposed to be the sequel for the 1968 Fanny Hill movie which was also directed by Mac Ahlberg. Fanny Hill (the novel) is a 1748 erotic novel written by John Cleland and it has got several film adaptations as well as TV movies, audio novels and other inspired by works.

 

The 70's update of Fanny Hill.

Cock craving around the world.

The film is about Fanny Hill's marriage, that certainly has seen better days, and our blonde starlet strongly suspects that her husband is cheating on her. When she decides that she wants to split up with him, she convinces her good friend to seduce her husband so she can catch him in the act. In return her friend would get to come along on a trip to the USA. But as the friend is seducing him, they find another girl in the closet. All is well and they leave for America where they try to get in contact with famous people, and soon enough Fanny Hill is a big name in the movie business.

I must say, I really liked this little film. I was pretty sure I'd get another boring softcore that attempted to be a real film when all it had going was smut. "Around the World with Fanny Hill" is one hell of a fun movie. Sure, the comedy is of a very familiar kind, but it's sure to bring many good laughs and would be a great little film for couples to watch I believe.

Brunettes are a thing of the past my dear.

Buy under the promise of sex.

Once Fanny Hill and her friend go to America all they want to do is to party with celebrities. As soon as they arrive in L.A., they then meet a TV celebrity that Fanny then follows home for casual sex. The only problem is that he's not interested at all in her. Instead, the next morning when his friend gets there, he sees Fanny naked and has a perfect role for her (as usual, since that seems to be how they actually got roles back then). Yadda yadda, and she's famous. Her husband (ex) sees her in a magazine and decides to go there and track her down. The story continues in the same vein when she goes to Hong Kong and so on. But it really is a funny movie that uses the classic mix-up scenarios, and it works well.

The film is filled with lovely actresses. Of course, Shirley Corrigan is great as Fanny Hill and looks fantastic. We have a small role for Marie Ekorre and Christina Lindberg as well. And Gaby Fuchs looks great as well (the friend). It's filled with girlies, that's for sure. But don't expect a bunch of filthy sex, most sex scenes are mostly entertaining and mildly sexy rather than pornographic or smutty. Although there is a pretty graphic orgy towards the end.

Surprise! let's fuck!

I can't take any more anal for today, sorry.

There could be some points to bring up - is Fanny Hill a spoiled brat? Does she take advantage of her friend seeing how Fanny is the only one who gets to have any fun in the movie? Why are they all speaking English if the movie is about a Swedish woman (and the movie starts in Stockholm)? Yeah, it's not a movie to get invested in to that extent. Watch it for what it is - an innocent nudie comedy. That's all there is to it, and I can't be more happy about it. Maybe now I'll finally take the thumb out of my ass and check out the original "Fanny Hill", and hopefully it will be as much fun. Although, without Shirley as Fanny I'm not sure I will enjoy it as much as this 70's themed sequel.

Here's the public domain version of the movie:

Every Afternoon

Fan made poster.

2016 will mark the return of Christina Lindberg to the big screen. Her last on screen appearance was circa 1982, that means 34 years! in 1982 Lindberg was 32 years old and now she'll be kicking ass with 65 years old! Christina's beauty is undeniable, she probably was and still is among the most beautiful women of the planet in the entire history of film making. The problem is, her beauty somehow diminished the belief that she could actually act (hence she quit the industry and became a respected journalist) In addition, her filmography can clearly be defined as the hit and miss kind. But, she was fully aware of that. In fact, she considers Thriller, a Cruel Picture as the best film she ever starred and also, as the film that allowed her to grow an international fan base.

Today's entry is a 1972 U.K. production that goes by the name of Every Afternoon (AKA Swedish Wildcats) In this film, Lindberg's role is very minor, but you can tell she's there and all eyes are on her once she shows up. This film has been heavily criticized and called a "boring chick flick". Nevertheless, ur intention on this blog is to document Christina Lindberg's filmography as completely as we can, regardless of the quality and/or level of entertainment the film offers.  

Here, have this girl.

Fifty shades of grey?

Every Afternoon is a chick flick in all its sense, a movie dealing mainly with love and romance which is targeted to a female audience. 

 
This film also features read hair Solveig Andersson, another Swedish beauty that worked in other films with Christina Lindgerg (Thriller & Wide Open) and blonde bombshell Cia Lowgren (famous for her role in In the Sign of Gemini) who shares the leading role with the late Diana Dors. The rest of the female cast is attractive as well. The problem is they don't look very convincing but then again, this is a sexploitation film, conventional rules do not apply.

Do I look fat?

Swedish beauty.

Watching Every Afternoon makes you feel like there is no real erotic edge and the plot with a whore pretending to be a professional ballerina finding chaste love with some random test pilot is brutally unconvincing and unappealing. However, nobody would watch a sexploitation flick for film school reasons. The fun is supposed to be delivered by the nude actresses and their sexual exploits instead. Still, having all these beautiful actresses doesn't seem to be enough to make Every Afternoon an essential sexploitation flick.

The plot is about Madam Margareta (Diana Dors) who is a talking side of beef that serves as the hostess and ring leader for a live sex tease show and whorehouse. Madam's shows always feature her bodacious nieces Susanna (Cia Lowgren) and Karin (Solveig Andersson), who perform in everything from striptease to S&M acts. Karen  meets and eventually runs away with a rich guy. Susanna falls in love with a deceptive airport cargo handler.

Please cum in my mouth.

Masked sex.

Now the time for being honest comes: I only picked this movie because Christina Lindberg is in it, and I've got a serious hard-on for her (who doesn't?). Unfortunately...she's not in it for long, and you only get to  see her tits once, so what you're left with is a boring and un-erotic sleaze film.

Every Afternoon is about a bunch of sluts that work in a brothel. They do some un-sexy dances for their male patrons, and afterwards they do what hookers are best known for. Somewhere in this boring mess is a "love story" between one of the ho's and some guy she met at the park. Throw in a scumbag that the guy from the park works with who has seen the chick at the brothel and wants to ruin their relationship - and there ya have it...

Lindberg's brief appearance as Helga.

Knock, knock!

Like many reviewers have stated Every Afternoon is pretty much an over-glorified chick-flick with a few tits and asses thrown in for good measure. There are definitely some smokin' chicks in this one, but the sex scenes are dull and un-sexy. The under-use of the ravishing Christina Lindberg is absolutely criminal - and everyone involved in this production should be shot for this unforgivable oversight. Don't bother unless you like dull romance films with a little bit (but not nearly enough) sleaze thrown in...

Here's the movie trailer:

Sex at The Olympics

The Olympics of sex? where do I sign up?

Hello fellow connoisseurs from around the world. As promised in the previous entry, we have to pay our debt, and we'll pay it now. All the missing Christina Lindberg film reviews will be here as soon as possible. 2016 will mark her return to the big screen and there simply isn't a better way to pay homage to her career than by posting her most obscure film roles. Films that are so obscure, that you can't possibly find them dubbed or subtitled, what the hell! most of them haven't had an official relase or if they have, they're long gone out of print.

Christina Lindberg was a very active sexploitation actress during the 70's. She worked in 18 films during that decade and a couple more during the early 80's. Although most of her roles were minor, her fan base kept growing and I believe it is still. The story has it, Lindberg did not like that nude pictures were getting more and more explicit and during the filming of Gerard Damiano's Flossie (AKA Natalie—not to be confused with a 1974 film of the same name, which was directed by Mac Ahlberg and starred Marie Forså) in West Germany—she left the set and returned home to Sweden. Damiano (who also directed the infamous Deep Throat) persuaded Lindberg to leave because he knew that it was going to be a hardcore film. For several years the German producer tried to bring her back in an attempt to complete the film. According to Videooze (No. 8, 1996), about 1,000 meters of film had been shot by Damiano. Production stopped and never resumed.

Aye Aye Sr, we kneel before your cock.

All out of cum already?

Currently, Lindberg (65) is working in a new exploitation film known as "Cry For Revenge" Such film was originally set to premiere in 2015 but producers say it will premiere this year. The film is loosely based upon the legendary Thriller, a Cruel Picture and promises to bring her back to the big screen with a vengeance (no pun intended) In the meantime, the film producers have made a heart touching documentary about Lindgerg's career and life. The documentary is called Christina Lindberg - The Original Eyepatch-Wearing Butt-Kicking Movie Babe and in almost an hour she tells you everything you need to know about her life & career from start to finish, even going through some harsh details about her personal life.

Of course, the documentary is right here, let be Christina herself the one to open the door to her life:

 

Shut the fuck up you fucking fuck! I want the movie review not Wikipedia crap!

Chill out! I'll suck your balls dry.

Alright, since you asked nicely, following our duty of completing Christina Lindberg's filmography, we jump to 1972 for the German film Mädchen, die nach München kommen: Das geheime Sexleben der Olympiastadt internationally known as "The Swinging Co-Eds", "Co-Ed Swingers" & "Sex at The Olympics". However, the original title translates as "Girls who come to Munich: The Secret Sex Life of the Olympic City"  The international version of this film had the name of the actresses changed (they weren't popular outside Europe yet) and the tag line "Starring the Winners of the 1976 International Swingers Competition"was added to make it, I don't know, let's say, more catchy.

The film title obviously comes from The 1972 Summer Olympics (German: Olympische Sommerspiele 1972), officially known as the Games of the XX Olympiad, was an international multi-sport event held in Munich, West Germany, from August 26 to September 11, 1972.

The sporting nature of the event was largely overshadowed by the Munich massacre in which eleven Israeli athletes and coaches and a West German police officer were killed. Five Black September Palestinian terrorists died.

And the anal sex award goes to...

I don't know, I can't remember how much I've swallowed these days.

The movie was released in Germany only a day before the Olympics began (August 25th) The film was internationally released in Finland & the U.K. in 1974 while the U.S. release would take place in 1976. Obviously, the film title is only there to publicize the film in a very exploitative manner. The film has nothing to do with the Olympics as you can clearly tell that there are no sports of any kind taking place anywhere near the four stories that complete the film.

Anyways, This German "report"-style film may be considered a little less politically incorrect by today's standards than some of the others since the actresses here are not being presented as underage schoolgirls, but rather young women who have come to Munich seeking employment. Nevertheless, this movie features a lot of the same actresses that appeared in many of the "schulmadchen-report" films (who were very obviously not real-life "schulmadchen" at the time), including the three loveliest--Christina Lindberg, Ingrid Steeger, and Ulrike Butz.

This is the body of a woman four eyes.

Oh my god! I've been impaled!

Since this film is divided into four stories, each story comes with its own female leads. For instance, Christina Lindberg plays a naive young woman who comes to Munich for a job, and upon finding that her prospective employer's offices have closed, goes to work as a paid escort for some very weird and VERY unattractive clients. German sex star Ingrid Steeger is slightly less well known internationally, but she's famous enough in continental Europe to have an 8-disk box set dedicated to her. She plays a sexy secretary who is harassed by her boss, but then she accidentally encounters him later when she is moonlighting as an erotic masseuse. Ulrike Butz was one of the most memorable regulars in the "report" genre, and she was also in Joe Sarno's erotic horror flick "Veil of Blood". She appears in the first story as mini-skirted tour guide who drives all men around her mad with her lusty hairy pussy.

The stories here are as dumb as ever, but they feature not only these three incredible beauties, but also several other women who would never get kicked out of bed for eating crackers. One of the other stories is about an au pair who becomes sexually embroiled with both the father and mother of her charge. Another is about a couple of naive girls who get involved with modeling. In all the stories the mini-skirts are very short, the shorts are very tight, the bikinis are very skimpy, the panties are very see-through, and the bras are nowhere to be found. And naturally all the actresses appear in A LOT more scenes than their clothes do.

For fuck's sake, fuck me!

Oh god, such a cum load.

Although this film is nothing but a good excuse to see top eurobabes from the 70's naked most of the time, it's still a watchable experience, specially if you're an exploitation connoisseur or somebody who's interested in discovering the fantastic world of sexploitation films. Obviously, these films are not to be taken seriously, these are sex comedies with lots of fictional situations on it. The fact that these film is narrated is merely a homage (or a rip off depending on how you see it) to the popular Schoolgirl Report series. If you don't know what these reports are, you can check the reviews of the first four films in the series right here in our blog. 

Since we're dedicated to complete Christina Lindberg's filmography, Sex at The Olympics is clearly a go in the list. In this film her role isn't minor, she leads one of the stories and that is a lot more compared to what she did in other films were her presence was more of a support role or a cameo. For Lindberg enthusiast this film will deliver satisfactory. For sexploitation fans, well you've probably watched it already. For newcomers, why not? 

No room for sluts in here.

C'mon let's go fuck.

Here's something that  looks more like a TV Ad rather than a trailer, but hey, it's something!

Love In 3D

Love in 3D, oh boy!

a promise is a promise: the return of Swedish sex goddess Christina Lindberg has finally happened! after reviewing the films where she takes the lead, or at least has a supporting cast role now we move on to complete her most obscure filmography: Those which were not dubbed in English and do not feature English subtitles either. Six years ago,  we reviewed her big screen debut Rotmanad.The last time this humble blog had the honor of posting a review of her majesty Lindberg was  4 years ago (with Journey To Japan), now the fucking time to announce her thrilling return!!! All the missing rare films will be here!! Young Playthings, The Swinging Co-Eds, Smoke & Every Afternoon!! get ready for an overdose of Sweden's hottest brunette of all time!

The SPAM Alternative team's dedication is hardcore than ever in 2016, and will find resources to finance learning German in order to be able of properly reviewing the above mentioned films, so if you'd like to make a donati... fuck it! let's keep the internet free of charge! 

I'm just outdoors, naked, lingering.

Don't cum inside, I take it in the eye!

Every Afternoon, AKA Swedish Wildcats, is a 1974 (1972 according to IMDB) German film directed by Joseph W. Sarno, and is all you can expect from a 70's sleazy sexploitation film.  This film was produced by German sexploitation meister Walter Boos, one of the co-creators of the infamous German "report" films. But rather than being a series of vignettes centered around errant German school girls or housewives, this movie basically has a structure similar to the much later American indie classic "Slacker" as it randomly follows around any number of barely related characters who live and work around a certain apartment building. It's also in 3-D, of course, so there are lots of shots of things being thrown at or, um, thrust into the camera (including, but not necessarily limited to, the pendulous breasts of Swedish sexploitation star Christine Lindberg). Yes, kids you read that right a 3D film in 1974! so I urge every connoisseur to get your 80's 3D glasses back as soon as possible.

Presumably inspired by Pete Walker's 4 Dimensions of Greta this is not just another 1970s sex comedy filmed in 3D. Walter Boos however went all the way - we do not have just the odd 3D boob scene, the whole film is made in 3D. The viewer is constantly reminded of that, because the cinematography is truly bizarre with plenty of scenes of rather peculiar camera angles that strongly emphasize the 3D effects, e.g. a girl on a swing moving towards (and above) the camera, twigs hitting a car window, and many many more. The exaggeration of 3D makes these scenes quite funny, as the effects are completely over the top.  

I look better nude.

Bouncing in 3D!

If this could be classified as a "report" film, it's definitely one of the sexier ones with little plot to get in the way of the non-stop sex scenes. A girl(Ingrid Steeger) is embarrassed by her very sexually active roommate. A young man picks up a sexy nude sunbather by locking the balcony door and using a fishing pole to steal her clothes thus forcing her to come into his room where, of course, hot sex ensues. A man in a restaurant picks up a beautiful Indian girl while his friend also scores with a well-endowed waitress ("chubby chasers" will no doubt really enjoy the latter scene). A repressed woman submits to a lesbian seduction, but ends up having trampoline-style sex with a man as they bounce wildly on the bed. But they save the best for last, as the incredible Christine Lindberg shows up for two of the most unabashed sex scenes of her career, intercut by scenes of her driving men on the street to distraction with her very abbreviated mini-skirts and criminally low cut blouses. Then it's back to Ingrid Steeger, who finally falls in love with a guy, and gives her horny female roommate a run for the money by having wild sex with him on the balcony, literally almost bringing the roof down.

This is one of several German sex films Euro-sexploitation legends Lindberg and Steeger appeared in together (not in the same scenes, of course, that would melt the celluloid in the camera). It is, unfortunately, only available in German, but I doubt fans of either actress will care (or perhaps even notice).

"I'm cumming"

Care for some outdoor sex honey?

Overall,  Liebe In 3 Dimensionen is a very entertaining film. Despite the fact that there are many sexploitation films that had little to no plot at all in the 70's the camera work in this film is something you need to watch. Most of the angles the cameramen shot are shot from very original positions in order to deliver a fully 3D experience. The usual falling/tossing objects are all there, but the film takes 3D to a whole new dimension when they shot the sex scenes. I wonder, how did they fit the camera below the actresses in several shots. Also, there is a big spider scene that is one of the most well accomplished 3D scenes in the entire film and maybe one of the best 3D scenes of all time. 

While this film hasn't been officially released on DVD or any other format, there are some streaming sites that have it in their catalog. The language barrier, depending on how you look at it, it's a minor thing. My copy has neither English dubbing  nor English subtitles but since the plot is extremely obvious you don't need to understand a shit to enjoy this 3D classic. 

Tonight, I take it in the ass my love.

a new level in window shopping!

Here's the movie trailer and stay tuned for more Christina Lindberg to cum...er... I mean to come!, to come!

The Big Snatch

Absolutely adults only!

Hello fellow connoisseurs, hoping you had a decent new year celebration, as promised in the last entry of 2015, we will begin 2016 with some of the hottest sexploitation films you gotta watch before you die. Today we continue our humble tribute to one of the hottest most under rated sexploitation starlets: Peggy Church. 

The Big Snatch is a 1971 sexploitation film starred by Peggy Church, Jane Tsentas & Uschi Degard. As the title already suggests, in this film we will see a lot of hairy, big "snatches" in action. Now, the meaning of the word "Snatch" comes second to "Cunt" as perhaps the most offensive way of referring to a girl's vagina. When someone talks about a "cunt" or a "snatch" it is mostly meaning a dirty & smelly vagina rather than a pristine fresh one. This film doesn't feature any "dirty" or "smelly" vagigis, on the contrary it features some stunning women you wish you had laying next to you in your bed for some Netflix and Chill, while in reality you're all about Netflix & Jill. 

For more educational English you can surely visit the Urban Dictionary to have a laugh while learning the latest in dirty talk trends.

Alright girls, here's the deal.

Our intentions are purely sexual.

The Big Snatch in a nutshell is nothing but one of the many films based upon a kidnap that later ends up in rape in the weirdest way (all kidnapped girls seem to love fucking strangers! and they also offer little to no resistance at all!) This movie was directed by Dan Martin whom used the pseudonym "Ronnie Runningboard" in the credits because, at that time, he was a deputy sheriff with the Los Angeles County Sheriff's Department!!!!!!, which OBVIOUSLY did not look kindly upon its deputies making softcore porn flicks. 

Trashfilm legend David F. Friedman ("Blood Feast" etc.) says this film was made for a mere $11.000. No money or talent can't hide the fact that this flick is pretty sick and disturbing. Two low lives abduct some saucy chicks and abuse them for days even though it looks like the women are enjoyin' the rape!?! It also seems like it would be pretty easy for the women to escape from the isolated ranch. But in the end they've had enough and boob queen Uschi Digart ("Supervixens", "Getting Into Heaven" etc.) says; "Let's sock it to'em!" and the girls castrate one guy and shag the other to death! I ain't kiddin'. As Un-PC as you can get, so of course any sleaze junkie must possess this roughie from Something Weird! 

Sleaze is the name of the game!

You've been a naughty girl!

Young Rene (Ginnie Kindall) is kidnapped off a playground swing set. Right after flying into town, lesbian Lillian (Tracy Handfuss) is forced at gun point into the back of a truck. Housewife Colette ("Barbara Que" / Uschi Digard) is out watering the lawn in broad daylight when she gets swiped right off her front yard. Innocent 18-year-old virgin Bernice ("Rita Book" / Peggy Church) is snacking on Lays (foreshadowing?) chips when she's snatched off the street. And finally, leggy blonde party girl Pamela ("Nancy Nice" / Jane Tsentas) is abducted immediately after leaving a bar. All five girls don't know it yet but they've all fallen into the clutches of whiny long-haired perv Bart. Bart, who's played by the butt ugly "Harry Chest," who incidentally has no hair on his chest, drives them out miles into the desert to his remote home and then gives them the scoop on what's going on. They're to be his sex slaves and obey his every wish. They're to call him "master" while he calls them "pig." They'll eat... when and if he wants them to. They're to stick to a strenuous exercise routine to keep in good shape. If any of them try to escape they've been warned that the grounds are surrounded by trained, savage dogs who will eat them alive. And if they disobey or are caught doing something they aren't supposed to do, the girls will have to whip the disobedient one.

Bart is assisted by his bigger and perhaps even uglier mute sidekick Momo (played by Momo), who carries around a piece of hose to whip the girls with. Bart even bosses poor Momo around and refuses to let any of the girls have sex with him, causing the frustrated Momo to try to rape whatever girl he can get his hands on. Because he found Pamela at a nightclub and she's wearing a short skirt, Bart decides to "rape" her first but she goes along with it simply because she'll do anything to survive. The girls are then taken to a drained out swimming pool and are forced to do in-place jogging, push ups, leg lifts and topless toe touches. One girl is forced to get on all fours and is used as a step stool. While Bart is having his way with Colette, the lesbian takes the virgin out into the brush and helps her "relax" by rubbing her shoulders and then going down on her. When it's time for the virgin to give it up, she refuses so Bart has her tied to a running truck motor to "steam your clam open" so that he'll have "one well-basted bird."

Peggy Church's

The infamous pussy boiling scene.

After being raped, beaten and tortured for nearly an hour, the girls finally decide they've had enough and decide to get revenge. One of the girls seduces Momo, the others hold him down and then castrate him with a pair of vise grip pliers (!) They then manage to get the upper hand on Bart and then decide to give him a taste of his own medicine by forcing him to go through everything they went through. He gets his dick squeezed with the pliers, is forced to dance and exercise naked and is then beat with the hose. for an encore the girls decide to "sock it to him night and day nonstop" (i.e. screw him) until he's dead. I've got to admit, I've never seen a man gang raped to death by five women before. Now I have. Thank you Big Snatch for enriching my life.

There are trashy movies and then there are movies so trashy the sleaze goes right through the roof into the stratosphere. This is one of *those* movies. It looks extremely cheap (not surprising since the budget was just 11 thousand dollars), has awful acting and photography and much of the time the "rapes" seem a little too enjoyable for the "victim," but this is amusing enough to pass the time, most of the females look good and there's a mean-spirited twist at the end that's kind of good. Everyone was so embarrassed by this they used fake names and the credits are hilarious. The cameraman is "Otto Focus," the sound was done by "Less Noise" and the grip was "Jim Nasium." Something Weird distribute this on DVD-R and it's certainly worth a gander if you like this kind of stuff. 

I'm cum craving, can you help me master?

Fucking and eating a sandwich just because.

Overall, The Big Snatch is one of the many borderline softcore flicks the 70's gave birth just because porn films weren't thought of as actual films. Coincidentally, the rated X censorship tag used to warn audiences of the content of a film, became a very effective marketing campaign for most of these films that everyone calls "Softcore" as in "a lot of full frontal nudity but either no real sex acts or no close ups of sucking, penetration, etc" Some people talk about "Soft Porn" but I strongly disagree with such term. Some Porn movies made for cable TV are usually edited to be broadcasted without what makes them a porno in the first place but, who fucking cares, this conversation is about The Big Snatch, not a lesson in vocabulary or boring marketing strategies made by grey corporate people. 

Unfortunately, we found neither the film trailer nor excerpts from this classic sleaze, see you soon with more sexploitation reviews!

Death by fucking!