For a brief moment in the mid '70's, before herpes, AIDS; at the
beginning of the disco revolution and the absolute beginnings of the
VCR, American society had grown up enough to allow genuine adult
entertainment on the mainstream big screen as entertainment and not
disguised as a morality play like "Reefer Madness."(shall I review it later?) Unlike its
predecessors, "Deep Throat"(coming soon in a review) and "The Devil in Miss Jones," "The Opening
of Misty Beethoven" features rich production values and exotic
locations. The production values of this film are on par with most
Hollywood productions at the time and huge cut above "B" movies of the
era.
So, here it is, the Holy Grail of adult cinema, the finest porn film ever made both by critical consensus as from a fan's point of view. Director Radley Metzger of course had a solid background in mainstream movie-making with tasteful titillation along the lines of CAMILLE 2000 and THERESE AND ISABELLE to his credit before taking the plunge into explicit territory with a mere five high class productions. SCORE and THE PUNISHMENT OF ANNE, both of which contain a little bit of hardcore footage, don't really count as they're borderline cases.
THE OPENING OF MISTY BEETHOVEN rests proudly in the middle of this
fabulous five-some, following THE PRIVATE AFTERNOONS OF PAMELA MANN and
NAKED CAME THE STRANGER yet preceding BARBARA BROADCAST and MARASCHINO
CHERRY. It has charm, style, wit and grace, qualities not usually
associated with pornography. Every aspect of production has been
handled with the utmost care, from its sumptuous cinematography (as
good as any seen in big studio movies from the same period) to its
lively soundtrack by rock group Elephant's Memory. Unlike other
well-produced adult fare though, this one also has all the scorching
sex to cement its legendary reputation for generations to come. This is
the kind of adult film that should sway even the most ardent of
naysayers, unless the very thought of explicit eroticism repels them.
It was made by and for intelligent people who can also appreciate a
good dirty joke.
Borrowing its plot from Shaw's PYGMALION, MISTY finds noted sexologist
Dr Seymour Love (porn's bad boy Jamie Gillis cast against type and
delivering a career performance) cruising the streets of Paris and
running into a coarse streetwalker by name of Misty – formerly Dolores
– Beethoven, played to perfection by the all too rarely seen Constance
Money who made only a handful of flicks. Never one to resist a
challenge and fired up because of a wager with fellow jet-setter
Geraldine (one time performer Jaqueline Beudant), Seymour invites the
girl to come along to his mansion in the States where he will groom her
to become the next "Goldenrod Girl" of naughty magazine publishing tycoon
Lawrence Lehman (played by Ras Kean, star of Armand Weston's brilliant
EXPOSE ME, LOVELY), a title only bestowed on women who're revered the
world over for their exceptional beauty, sensuality and lovemaking
skills. On a crash course, Misty's put through her sexual paces,
gaining insight and technique as she's presented with a number of
"difficult" cases for seduction. All the while, she is falling in love
with her mentor who doesn't (or pretends not to) notice… It is
absolutely impossible to overpraise this film. While other adult movies
made since may eclipse it in certain areas, there has yet to be made
another one that surpasses it in all aspects. The sheer brilliance of
the leads is ably supported by a cast filled to the brim with fan
favorites, most of whom deliver equally fine performances vertically as
well as horizontally. Terri Hall (the leading lady from Gerard
Damiano's STORY OF JOANNA) shines as ballerina Tanya who does a
sweltering Sapphic number on beautiful Beudant.
So, here it is, the Holy Grail of adult cinema, the finest porn film ever made both by critical consensus as from a fan's point of view. Director Radley Metzger of course had a solid background in mainstream movie-making with tasteful titillation along the lines of CAMILLE 2000 and THERESE AND ISABELLE to his credit before taking the plunge into explicit territory with a mere five high class productions. SCORE and THE PUNISHMENT OF ANNE, both of which contain a little bit of hardcore footage, don't really count as they're borderline cases.
Diddle her skittle. |
Let the training begin. |
Beauty like no other. |
a mouth is better than two hands. |
Misty is hard at work. |
Gay porn icon Casey
Donovan (BOYS IN THE SAND) plays the effeminate gallery owner who finds
himself at Misty's mercy and later supplied the buttocks for the Ras
Kean rectal excavation portion of a three-way involving Misty and
Gloria Leonard, the latter then at the start of what was to become a
most distinguished career in the adult field. Mary Stuart (who had
played the lead in Shaun Costello's extraordinary THE PASSIONS OF
CAROL) and Jenny Baxter (from Costello's TRAVAILS OF JUNE) are
stewardesses on a most peculiar airline in a sequence characteristic of
the type of off the wall humor Metzger excelled at.
While the sex is explicit and at times shown in the kind of close-ups that makes one feel as if they are a gynecologist, few of the sex scenes follow the pattern of modern pornography where the partners are filmed in close-up and changing positions every three to five minutes. On one hand, little of the sex between the main characters is gratuitous, yet, since this IS a sex film, it can be argued it is ALL gratuitous. The story is clearly a twist on the classic "My Fair Lady" theme. Can a lowly, "civil servant" class sex worker be elevated to the pinnacles of being a sexual legend? The dialog can be very witty at times and the movie doesn't mind stopping the "action" for a few good lines. The acting is above average for the period. The hip, very vogue fashions of the day are a wonderful flashback to another time and may be worth witnessing for their own value.
By 1978's "Debbie Does Dallas," the moment was over. Production values
had fallen along with the caliber of the story lines and quality of the
actors ability to act. Theater owners were under political pressure
about showing such explicit movies. Mainstream Hollywood never took the
bait to make their own adult productions, marginalizing the industry.
And most importantly, there was a new technology entering the homes of
Americans that would allow people to view such explicit content in the
privacy of their homes, the VCR (first introduced to consumers as the
Sony Betamax in 1975).
Here's the recently updated movie trailer made to promote the DVD/Blu Ray release of this true classic of porn when porn was classy:
While the sex is explicit and at times shown in the kind of close-ups that makes one feel as if they are a gynecologist, few of the sex scenes follow the pattern of modern pornography where the partners are filmed in close-up and changing positions every three to five minutes. On one hand, little of the sex between the main characters is gratuitous, yet, since this IS a sex film, it can be argued it is ALL gratuitous. The story is clearly a twist on the classic "My Fair Lady" theme. Can a lowly, "civil servant" class sex worker be elevated to the pinnacles of being a sexual legend? The dialog can be very witty at times and the movie doesn't mind stopping the "action" for a few good lines. The acting is above average for the period. The hip, very vogue fashions of the day are a wonderful flashback to another time and may be worth witnessing for their own value.
Not even the Star Wars opening sequence is so epic. |
A little more to the left please. |
Here's the recently updated movie trailer made to promote the DVD/Blu Ray release of this true classic of porn when porn was classy:
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