Following our latest obsession, we continue to revisit the golden era of the OVA. However, before we get into the magnificent piece we're to review briefly, I'd like to tell you about the origin of the Original Video Animation or オリジナル・ビデオ・アニメーション (Orijinaru bideo animēshon) in proper Japanese. The term is also known as OAV (Original Animation Video) and since the introduction of DVD the term was updated to OAD (Original Animation DVD)
OVAs originated during the early 1980s. As the VCR
became a widespread fixture in Japanese homes the Japanese anime
industry grew to behemoth proportions. Demand for anime became massive,
so much so that consumers would willingly go directly to video stores to
buy new animation outright. While people in the United States use the phrase "direct-to-video"
as a pejorative for works that could not make it onto television or
movie screens, in Japan the demand was so great that direct-to-video
became a necessity. Many popular and influential series such as Bubblegum Crisis (1987–1991) and Tenchi Muyo! (1992–2005) were released directly to video as OVAs.
The earliest known attempt to release an OVA involved Osamu Tezuka's The Green Cat (part of the Lion Books series) in 1983, although it cannot count as the first OVA: there is no evidence that the VHS
tape became available immediately, and the series remained incomplete.
Therefore the first official OVA release to be billed as such was 1983's
Dallos (a review is coming soon, be patient) , directed by Mamoru Oshii and released by Bandai. Other famous early OVAs, premièring shortly thereafter, were Fight! Iczer One and the original Megazone 23.
Other companies were quick to pick up on the idea, and the mid-to-late
1980s saw the market flooded with OVAs. During this time, most OVA
series were new, stand-alone titles.
In the 1980s during Japan's economic bubble, production companies
were more than willing to spontaneously decide to make a one- or
two-part OVA. They paid money to anime studios who then haphazardly
created an OVA to be released to rental shops. Judging from sales,
should a longer series be deemed feasible, TV networks paid for most of
the production costs of the entire series
Explanations set aside, it's time to move on to today's OVA classic, a personal favorite ranking among my top 5 OVA of all times:
Let the bullet do the talking. |
Hey, I can see Uranus! |
Golgo 13: The Professional, originally known as simply Golgo 13 (ゴルゴ13) in Japan, is a Japanese animated film adaptation of the Golgo 13 manga series released on May 28, 1983 by Tokyo Movie Shinsha. It is the first animated film to be based on the manga and the third film overall.
According to Helen McCarthy, Golgo 13 The Professional was based on various
Western action films the writers had used for inspiration. Ironically,
the film's own influence can be seen in later Western films. The OVA incorporated CGI animation,
which was in its infancy at the time. This is most notable in the scene
where army helicopters circle around Dawson Tower and attack Golgo as
he climbs toward Dawson's office on the top floor. Later, this technology would become a common addition to the genre until the mid-90s with the advent of Macross Plus and Ghost in the Shell. The film was released in home video for the first time in the USA in 1992, almost ten years after the original release.
You're the only who can do this Golgo 13. |
Bloody murder. |
GOLGO 13 is an archetypal animated crime drama. This is
a relentlessly brutal film about one man's crusade to destroy the elusive
figure who was solely responsible for the murder of his own kin. THE
PROFESSIONAL: GOLGO 13 is also an emotionally disturbing film which
demonstrates the pain and distress of having to cope with the loss of a
love
one. It serves as a chilling reminder of how human beings can easily
succumb to the power of suffering. THE PROFESSIONAL: GOLGO 13 is a tautly
made film dealing with the psychological mind, but most importantly of all,
it is a thriller that leaves you on the edge-of-your-seat from the first
frame to the finish.
Duke Togo (a.k.a. Golgo 13) is an assassin for hire. He does not care about his clients at all; he only cares about himself and his money. Devoid of emotion, Golgo's life is predominated by violence and sex. Golgo's latest mission is to terminate Mr. Robert Dawson, the son of a wealthy oil-business baron, Leonard Dawson. With just a single bullet, Golgo 13 has successfully accomplished this task. Meanwhile, Mr. Leonard Dawson, understandably aggravated with the death of his only son, has vowed to terminate this assassin once and for all. Leonard Dawson is usually use to `getting what he wants,' but this entrepreneur does not realize what a formidable foe Golgo 13 might be...
Duke Togo (a.k.a. Golgo 13) is an assassin for hire. He does not care about his clients at all; he only cares about himself and his money. Devoid of emotion, Golgo's life is predominated by violence and sex. Golgo's latest mission is to terminate Mr. Robert Dawson, the son of a wealthy oil-business baron, Leonard Dawson. With just a single bullet, Golgo 13 has successfully accomplished this task. Meanwhile, Mr. Leonard Dawson, understandably aggravated with the death of his only son, has vowed to terminate this assassin once and for all. Leonard Dawson is usually use to `getting what he wants,' but this entrepreneur does not realize what a formidable foe Golgo 13 might be...
Specialists. |
Brothers Silver & Gold. |
Desperate, Leonard Dawson has hired a number of professional mercenaries
and
agencies to assist him in tracking and eliminating his loose cannon. Along
the way, Dawson has employed a ruthless, cold-blooded killer named `Snake'
to personally make sure that Golgo 13 suffer a violent and painful
demise...
However, Golgo 13 always manages to be ahead of the game. Whenever danger strikes, this elusive hitman always succeeds in escaping with his life. He is quick, agile, and intuitive, but consequently, he is a man with little sentiment...
Golgo 13 is constantly on the run from the menacing villains of every color. Will Golgo 13 be able to save his own skin...or will he truly meet his match with a professional adversary?
However, Golgo 13 always manages to be ahead of the game. Whenever danger strikes, this elusive hitman always succeeds in escaping with his life. He is quick, agile, and intuitive, but consequently, he is a man with little sentiment...
Golgo 13 is constantly on the run from the menacing villains of every color. Will Golgo 13 be able to save his own skin...or will he truly meet his match with a professional adversary?
Beauty follows crime. |
Sometimes fucking your target takes a whole new meaning. |
THE PROFESSIONAL: GOLGO 13 is certainly an adult-oriented tale. This is
an
extremely sickening film, with grotesque deaths being shown in explicit
detail second by second. The color red tends to literally predominate the
screen at times. Typical of the Japanese animation style is also the
gratuitous use of frontal female nudity, especially since virtually every
female in this movie removes her clothes at least once during the film's
duration. Indeed, as shown by the abundance of sanguinary violence,
soft-core sex scenes (Golgo's love-making scene with `Cindy' is
particularly
steamy.) and unclothed females, THE PROFESSIONAL: GOLGO 13 is animation
made strictly for mature audiences.
It would be unfair to dismiss THE PROFESSIONAL: GOLGO 13 just because of its excessive violence and nudity. Unlike most films of this caliber, what is admiring about this movie is that though it is full of sex and violence, it does not let those two qualities overshadow the film's technical and also rather profound attributes. First, the technical accomplishments in this movie are plentiful. The camerawork and editing are stylishly done. They often shift from the use of freeze frames to slow motion sequences to split screen features. The animation too, is marvelous; the use of different colors and lighting effects are utilized to the first degree in order to symbolize a certain character's behavior such as pleasure or anger. As well, the computer generated action scenes near the end are themselves a masterfully created piece of work. THE PROFESSIONAL: GOLGO 13 contains some of the best artwork and details of a modern animated feature.
It would be unfair to dismiss THE PROFESSIONAL: GOLGO 13 just because of its excessive violence and nudity. Unlike most films of this caliber, what is admiring about this movie is that though it is full of sex and violence, it does not let those two qualities overshadow the film's technical and also rather profound attributes. First, the technical accomplishments in this movie are plentiful. The camerawork and editing are stylishly done. They often shift from the use of freeze frames to slow motion sequences to split screen features. The animation too, is marvelous; the use of different colors and lighting effects are utilized to the first degree in order to symbolize a certain character's behavior such as pleasure or anger. As well, the computer generated action scenes near the end are themselves a masterfully created piece of work. THE PROFESSIONAL: GOLGO 13 contains some of the best artwork and details of a modern animated feature.
"It's my first time...with an Asian" |
Crime doesn't pay? |
THE PROFESSIONAL: GOLGO 13 is also a trenchant character study. This
movie
shows the mental anguish and vulnerability in the human soul, as
demonstrated by the erratic behavior Leonard Dawson displays. THE
PROFESSIONAL: GOLGO 13 spares no punches as it illustrates that human
misery does not only affect the individual himself; it could also affect
his
loved ones just as sharply. This motion picture shows as well how an
obsession with revenge will leave a person devastated even more deeply. It
is a very sad movie indeed, but this movie dares you to actually show
sorrow
for many of the characters involved in the predicament...
What makes THE PROFESSIONAL: GOLGO 13 even more remarkable is the film's diversely outrageous cast of characters. They range from the sick and bizarre lunatic, `Snake,' to the deformed twins `Gold' and `Silver,' and then, to the sexy, lascivious lady, `Cindy.' The breakthrough character sketches in this movie (plus the state-of-the-art animation) make the viewer believe that instead of watching a lame cartoon, he/she is experiencing an actual feature presentation. THE PROFESSIONAL: GOLGO 13 is truly `number one...with a bullet.'
What makes THE PROFESSIONAL: GOLGO 13 even more remarkable is the film's diversely outrageous cast of characters. They range from the sick and bizarre lunatic, `Snake,' to the deformed twins `Gold' and `Silver,' and then, to the sexy, lascivious lady, `Cindy.' The breakthrough character sketches in this movie (plus the state-of-the-art animation) make the viewer believe that instead of watching a lame cartoon, he/she is experiencing an actual feature presentation. THE PROFESSIONAL: GOLGO 13 is truly `number one...with a bullet.'
Let's get down to business, agent. |
Overall, THE PROFESSIONAL: GOLGO 13 is a unique experience. Unlike most
superficial, one-dimensional cartoon presentations, THE PROFESSIONAL: GOLGO
13 is a realistic (albeit still an animated feature) film that is rather
plaintive, bleak, and depressing. At the same time though, THE
PROFESSIONAL: GOLGO 13 will leave you breathless as the amazing action and
gritty visuals will keep you addicted for more excitement. The animation
especially, is notably conceived. THE PROFESSIONAL: GOLGO 13 is a
destined
cult hit in the making. Though this is an animated film, the spellbinding
plot, assured direction, plus the three dimensional characters and strong
themes help give this motion picture a potently authentic quality. There
are more than enough plot twists to keep you enthralled even after the
denouncement. Plus, a powerful subtext (amongst many) about how the letting
of one's emotions cloud his/her thoughts can easily cripple one's life
forever will keep the viewer suitably mesmerized. This is a film that will
leave you contemplating about how delicate the human soul really is...
If you are looking for a near perfect thriller, then search no further.
If you are looking for a near perfect thriller, then search no further.
Here's the OVA for your viewing pleasure:
4 comments:
Muy buena reseña, me acorde los días que esto estaba recién comenzando y niños como yo veían estas series con mucha impunidad. Hasta que en el 91' empezó la censura en los vídeos club y tiendas de la muy naciente comunidad del OVA.
Pero los VCR y los VHS GS,Sony, Samsung y TDK salvaban a los jóvenes al poder grabar mas de una serie, todos salíamos ganando.
Me entere que querías hacer la reseña de Tank Police, esta también Video Ai, city hunter y DNA por nombrar los que me acuerdo.
Saludos
Si, fue una gran época donde veía si me gustaba el diseño de la portada del VHS y con eso la arrendaba. Estoy solamente pensando en OVAs de los años 80's si Nachaldo, Video Girl AI y DNA son de los 90's. Pasa que muchos de los OVAs de los 80's fueron editados en USA en los 90's y por ende también en el resto de américa.
Entendirijillo. Area 88 es de los 80 junto a THE GUYVER: BIO-BOOSTER ARMOR, THE SUPER DIMENSION FORTRESS MACROSS: FLASH BACK 2012; esta que tengo en VHS y todavía me hace reír PROJECT A-KO, DIRTY PAIR la tengo en 2 tomos, también Lupin III: El complot del clan fuma lo tengo en VHS, BUBBLEGUM CRISIS misma cosa VHS, PATLABOR tambien y Gunbuster.
Sigue para ver alguna que no haya visto y haz comentado..
Saludos
Si, habían trabajos increíbles en esa época. Y eso que la principal motivación para producir OVAs fue la crisis por la que pasaban los estudios de animación en Asia. Por pocas lucas los tipos animaban lo que les pidieses. Irónicamente, esto generó quizás las obras mas importantes dentro del género y en consecuencia la década dorada del animé fabricado directamente para video.
Excelente colección la que tienes, se vienen varios reviews más, asi que atento jaja
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