Sexy stewardesses ready to fuck & kick some ass. |
Once again director Cirio H. Santiago, delivers another great Philippino exploitation film under the supervision of master Roger Corman. "Fly Me" a martial arts sexploitation hijack stewardess adventure from 1973.
“This airline serves three wild dishes. Take your
choice: ‘I’m Toby, fly me as far as you want.’ ‘I’m Sherry, buy a ticket
and I come free!’ ‘I’m Andrea, my foreign lay-overs are very
stimulating.’”
Plot: Feeling anxious over the imminent cancellation of ABC’s Pan Am? Fret not! Roger Corman’s
New World Pictures has all the sexy stewardesses and globe-hopping
adventures any aviaphile could demand. “But is it episodic?” you may
ask. “Is it preposterous?” “Is there a white slavery angle?” Yes, yes,
and… it’s a Roger Corman production from 1973, do you really have to ask?
Much like Pan Am, Fly Me divides the action among its
three air-hostesses.
First up: Sherry (played by Lyllah Torena), whom we first meet at the airport, being dropped off by one man, and then sneaking off to the airplane lavatory with another man for a quickie (once they reach “cruising altitude”). When the plane lands in Hong Kong, we learn that Sherry has been spending her non-fornicatin’ time smuggling dope. But she’s shorted one of her suppliers, so they abduct, strip, and bind her, leaving her to try to wriggle her way free while wearing only panties. When Sherry fails, her captor informs her that the big boss has a “side business.” “Call it a ‘rental service,’” he sneers. “Girls,” he adds in a whisper, in case Sherry has missed the point. (“You… fucker!” she hisses in reply.)
First up: Sherry (played by Lyllah Torena), whom we first meet at the airport, being dropped off by one man, and then sneaking off to the airplane lavatory with another man for a quickie (once they reach “cruising altitude”). When the plane lands in Hong Kong, we learn that Sherry has been spending her non-fornicatin’ time smuggling dope. But she’s shorted one of her suppliers, so they abduct, strip, and bind her, leaving her to try to wriggle her way free while wearing only panties. When Sherry fails, her captor informs her that the big boss has a “side business.” “Call it a ‘rental service,’” he sneers. “Girls,” he adds in a whisper, in case Sherry has missed the point. (“You… fucker!” she hisses in reply.)
Those were the days. |
Kung fu Blonde! |
C'mon let me give ya a cum swallowing blowjob while you drive. |
Meanwhile, Andrea (Lenore Kasdorf) goes looking for one of her own
man-friends in Hong Kong, only to find that he’s abandoned his apartment
under mysterious circumstances, which bums Andrea out so much that
she’s unable to enjoy her dimly lit yacht-party.
So Andrea enlists a local importer/exporter for help in investigating
her pal’s disappearance, but the more she probes, the more she draws
heat from swarms of martial artists, who kick at her and rip her clothes
and shoot blow-darts at her. Some of her stalkers are Asian; some are
white and female; some are blind. All move fairly slowly, giving Andrea
plenty of time to counter their moves with her own.
Willing to deliver the best flying sex experience. |
As for novice stew Toby (Pat Anderson), she’s looking forward to the
hedonism of her first trip abroad until she learns that her mother
(Naomi Stevens) has decided to serve as her chaperone, to make sure that
she doesn’t get into trouble. (“I put a virgin on the plane in Los
Angeles. I’ll put a virgin on the plane in Hong Kong,” she promises.)
Mama complains about everything, from the food she gets in Asia—even
“the finest chop suey in Hong Kong” can’t satisfy her—to the handsome
doctor (Richard Young) who’s courting Toby from port to port. The young
couple has to sneak off to a bathhouse in Tokyo to try and find some
privacy. There, the doc reassures a shy, naked Toby that he’s “not only a
doctor… I’m a bone specialist.” Alas, mama crashes the party before he
can show Toby exactly what that means.
The three storylines come together improbably when Toby’s mother
demands to be let aboard an aerial “tourist excursion” that turns out to
be a front for the brothel where Sherry’s been imprisoned. Andrea’s
gumshoeing too leads her to the same place, where a brawl ensues and the
ladies fight back to a life where they can sleep with lots of men on
their own time, not under orders from a drug kingpin.
so, what do you think? |
Can't seem to reach your cock sugar. |
How am I s'possed to swallow your load with this tape in my mouth?! |
Overall, Fly Me is a must watch from prolific Filipino exploitation feature
director Cirio H. Santiago, working from a blithely trashy script by
Miller Drake, crams the wildly colorful and eventful 74 minute running
time with abundant delicious female nudity (the first topless scenes
occurs barely a minute into the movie!), seedy subplots, a
funky-groovin' prog-rock score, amusingly dumb lowbrow humor, several
uproariously inept chopsocky fight scenes (the blind assassin with the
cane that fires deadly poison darts is a total riot!), and a rousing
all-out action-loaded conclusion. Moreover, Santiago maintains a
nonstop zippy pace and a light, bouncy tone from start to finish. The
three female leads are all quite attractive and appealing, with
Anderson the stand-out of the bunch. Popping up in nifty minor roles
are Vic Diaz as crooked cop Enriquez and Dick Miller as a friendly cab
driver. Of course, this flick is completely silly and ridiculous, but
that's exactly why it ultimately sizes up as an absolute sleazy hoot.
Here's the less than a minute movie trailer:
and a couple of clips from the recently restored and remastered Shout Factory DVD edition of "Lethal Ladies Volume 2", featuring of course Fly Me, Cover Girl Models & The Arena:
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